Zombie Chaos Screenplay
Script created with Final Draft by Final Draft, Inc.
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FADE IN:
1 EXT. FIELD - NIGHT 1
Very Gothic/heavy music starts playing as a very large devil
worshiping cult is having a ceremony around a giant flaming
pentagram. They are chanting for the devil in German. SFX of
FIRE CRACKLING
ADAM ROUSE (CULT LEADER)
Unser heiliger Vater, kommen zu
uns. Wir sind hier, Sie für alle
zu preisen, die Sie uns gegeben
haben. So KOMMEN Vater NACH US!
FOLLOWERS
KOMMEN Vater NACH US! KOMMEN Vater
NACH US!
ADAM ROUSE
Wir geben Ihnen jede mögliche
Sache. Wir töten und Opfer für
Sie, unser heiliger Lord.
Very soon after the ceremony starts a gun shot goes off as 3
men with guns, a nus, and flashlights charge in. The music
begins to get much louder.
MIKE MILLER
GET THEM! Kill them all!
ADAM ROUSE
SHIT! Run, Run, get out of here.
They begin to fire at random cult members hitting and killing
some of them. The rest of the follows run away, but the
leader of the cult stays behind. Mike runs up to him and
punches him in the face. He falls to the ground and they
kick him a few times.
MIKE MILLER
(To Adam)
What do you think you are doing.
REX MCARTOR
(To Adam)
We don't need your kind around
here.
One of the men grabs Rouse by the shirt and yanks him up.
They then pull him over to a tree.
2 EXT. FIELD/TREE - NIGHT 2
The three men walk up to a large tree with Rouse by the
shirt. One of the men ties the nus to the trunk of the tree
and throws the other end over the tree. Mike forces Rouse up
onto a large rock under the nus. Then one of the men place
the nus around rouses neck and ties his hands behind his
back. All three men then walk around so they are looking
Rouse right in the face.
MIKE MILLER
Do you have anything you would like
to say, or apologize for. Perhaps
ask God for forgiveness.
ADAM ROUSE
All I have to say to you is, YOUR
GOING TO FUCKING PAY FOR THIS.
As soon as Rouse says this, Mike points to one of the men and
that man pushes Rouse off of the rock. As the rope tightens
around his neck and a CREAK sound of the rope tightening,
very heavy music start to play. The three men stand around
him watching him hang and struggle. He begins to bleed out
of his eyes, ears, nose, and mouth, then shortly after that
stops struggling.
JOHN
Should we cut him down now?
MIKE MILLER
NO! Just let him rot there.
FADE TO:
3 I/E. INTRO CREDITS 3
Screen 1 "G.S.U.S. Video Productions", Screen 2 "and For the
Fallen", Screen 3 "Present", You see a tombstone and it reads
"Lucio Fulci" "1927-1996". Then a fist punches through the
ground and a zombie rises out of the grave. Music starts
playing very loud as the zombie limps towards the camera.
When he gets to the camera it is solid black and you hear a
gun shot and a blood splatter. The zombie flies back into
the grave and there is blood dripping down the tombstone
saying "ZOMBIE CHAOS". The screen fades to black and the
intro credits start fading in and out. The music fades out.
FADE TO:
4 I/E. FIELD/TREE - NIGHT 4
The scene starts out with Rouse still hanging in the tree.
You start to here cars approaching, and then truck and a car
pull up to the tree. Two men get out of the truck and one
female gets out of the car.
ASHLEY WEAVER
(sadly and anxiously)
Hurry, help me get him down.
All of them walk up to Rouses body and Ashley climbs onto the
rock and cuts down Rouse as the two men catch him. They
carry his limp body over to the truck and place it in the
bed. The two vehicles then drive away.
FADE TO:
They then pull up to a house and stop. They all get out of
the car and truck and go back to Rouse. They pick up his
dead body and carry it to the back of the house and carry it
into the basement.
ASHLEY WEAVER
(Pointing at a table
surrounded by candles)
Come on, Come on. Put him down.
The two men place Rouses body down onto the table.
ONE OF THE MEN
Would you like anything else.
ASHLEY WEAVER
No that will be all. Thank You!
ONE OF THE MEN
Very well. Good luck.
The two men walk out of the house the way in which they
entered.
5 INT. BASEMENT - NIGHT 5
Ashley walks behind the table on which Rouse is laying.
Cult/Chanting type of music starts playing as she quickly
raises her arms to the air and all of the candles ignite.
ASHLEY WEAVER
Heiliger Meister, ersuche ich um
Sie.
Bitte helfen Sie mir, Ihre servent
Rückseite zu holen. Jetzt steigen
meine Liebe,
steigen...steigen...steigen.
There is then complete silence for a little bit. Ashley
lowers her head and sighs. Just then Rouses arm twitches
slightly. His eyes quickly open as he gasps for air,
followed by very heavy breathing. He starts to move slightly
as if he is incredibly stiff.
ASHLEY WEAVER
My Love! Your back!
She begins to lean over him to give him a hug as he suddenly
lungs towards her neck. Music starts playing as he bites
down hard as she starts screaming, then he rips a chunk of
flesh out of her neck and blood starts to steadily pour out
of her neck. Her screams turn into gurgles because of the
blood filling her throat. She starts falling over trying to
hold herself up by the table. She hits the floor hard and
stops moving. Rouse turns and puts his feet on the ground.
He stands up and slowly limps out of the house. The music
begins to fade out.
FADE TO:
6 EXT. PORCH - EVENING 6
Mike and Rex pull up to a house in a car. The car is shut
off and both men get out. They walk to the house and ring
the doorbell. DING DONG. John answers the door and steps out
of the house closing the door behind him.
MIKE MILLER
Are you ready to go.
JOHN
(Shivering) Geese it's cold out.
Let me get my coat. I'll be right
out.
MIKE MILLER
OK, we'll be in the car
Rex and Mike begin to walk to the car and John turns towards
the door.
7 INT. HOUSE - EVENING 7
John walks into his house and hears a thud. He then looks to
the ground and sees a human hand laying there with a lot of
blood on the floor around it. He slowly lifts his head and
begins to look very angry and scared. He starts quickly
walking forward.
JOHN
That's my dad you fucking asshole!
Music starts playing heavy as he quickly rushes up to Rouse
as he is leaning over his fathers head eating his brains. He
attempts to grab Rouse by the neck but instead Rouse quickly
grabs Johns arm and takes a bite out of it and blood begins
to run from his arm. John begins to scream as he falls over.
Rouse then leans over and takes a bite out of Johns neck.
His screams turn to gurgles as there is too muck blood in his
throat to scream. He grasps his neck and eventually stops
moving.
CUT TO:
8 EXT. DRIVEWAY - EVENING 8
Mike and Rex are sitting in there car waiting for John.
MIKE MILLER
What's taking him so long?
REX MCARTOR
I don't know, I'll go see.
MIKE MILLER
I'm coming in too I gotta go to the
bathroom.
Rex and Mike agian step out of the car and walk up to the
house. Mike rings the doorbell. A few seconds pass.
MIKE MILLER
John, come on, let us in.
Rex twists the door handle and walks in. He sees Rouse
eating John.
REX MCARTOR
OH SHIT!
Rex turns around and starts running. Mike leans in the
doorway to see what scared Rex.
He yells and starts running after Rex. Rex try's to open his
car door but the keys have been locked in. They both
continue running as Rouse limps out of the house.
9 EXT. SIDEWALK - EVENING,NIGHT 9
Mike trips and yells to Rex but he continues to run. Mike
looks up and sees Rouse approaching him. He tries to stand
but by the time he is up Rouse is there.
MIKE MILLER
Please, Please, don't kill me.
Rouse then grabs Mikes face with one hand and his waist with
the other. Mike begins yelling and struggling as Rouse leans
forward and takes a bite from Mikes neck. Blood starts to
pour out of his neck. Mike, while yelling, tries to pull
away. But in the process of pulling away he rips Rouses arm
off. Rouse begins to groan and also pulls away while ripping
a piece of Mike's face off. Mike falls over yelling/gurgling
and eventually stops moving. Rouse continues to limp away
after Rex.
10 EXT. ALLEY - NIGHT 10
Rex is running down an alley to escape Rouse, but comes to a
dead end. He sees Rouse slowly enter the alley. He then
pulls out a gun and looks in the camber to see how many
bullets he has left. He sees only one bullet in the chamber.
REX MCARTOR (O.S.)
What luck.
He walks to the wall in the alley and sits down.
REX MCARTOR
I'm sorry for this.
He puts the gun in his mouth and pulls the trigger. SFX
CLICK. The gun doesn't go off. Rouse is now standing right
above Rex. He begins to lean over Rex.
REX MCARTOR
OH SHI...
The screen goes completely black and you here Rex start to
yell. All sound stops while the screen is still black.
11 I/E. CREDITS 11
The credits begin to scroll as music starts playing.
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Script created with Final Draft by Final Draft, Inc.