The OFFICIAL CLASSICAL MIDI INSTITUTION page

Projekt!!! - Vänner i Göteborg!!!

re you really interested in CLASSICAL MIDI, also when it comes to new kinds of distortions, thus MODERN, CLASSICAL MIDI, which are mostly used for bringing light over some selfish so called "composers"? CLASSICAL do bear upon a nonpresent era in the history. Do you recognize TONAL MUSIC as a intresting conciliation, so that CLASSICAL MIDI should not be a loose combination of two words, just for its own sake, but a harmony and an idea among lovers of TONAL MUSIC? I'm not sure about the words- but am confident that it shall all be taken as a straight line from the CLASSICAL MIDI tonality in its historical form, to the MODERN, CLASSICAL MIDI music style. I love organ music and classical timbre. You probably share theese feelings with me.

he word music can be derived from the stem "mousike", which is greek.

So- beginning with the greeks, during the palmy days of Athen, also institutional music was mostly limited to its vocal expressions. There were three main keys in use, the Dorian (high e down to e), the Phrygian and the Lydian (major) mode, each one of them divided into two diverse chord- settings, comprising one semitone and two whole tones. They also counted one Mixolydian mode, fallowed by some additional, for instance the Hypodorian, Hypophrygian, Hypolydian, and the Hypomixolydian mode. As we are presently looking upon the modern analyzis of chords, foremost as a tool within the jazz and the popular music, the greeks tried to digest their different modes in categories. Thus, Phrygian was considered as the warrior, impassioned mode of music, whereas Dorian mode was religious and patriotic, and the Lydian mode sentimental. Of the two latter modes, the popular scale among Greeks was not the lydian, but was the Dorian. During the fallowing centuries, like almost everything else, the high levelled music was adopted as a implement of christianity, thereby enforcing risen institutions of religious power. Mainly, the music of that time served to supply their devine service. Gregorian chant is also a wellknown concept from this time. At the end of the first millennium, depiction of music setups in scores was devised and improved as a more common aid for performance. In the 13:th century, music, arranged in multiple pitches (organon), was cultivated by musicans like de la Halle, later also Philippe de Vitry and Guillaume de Machault.

eginning

the Baroque age, opera developed as a new musical form. Orfeo, by Claudio Monteverdi, that was first performed publicly in 1607, is regarded as the first big opera. Upon this, a new, instrumental technique, that required organ and harpsichord for its fulfilled execution, was another phenomenon to arrive at the early Baroque era. Because of the massive chord key usage evolved from modern, orchestral techniques, the higher pitch as well as the bass became more and more important. In this way, next to fugues and canons, homophonic music growed in importance, this although imitational polyphony remained very substantial for a long time. Johann Sebastian Bach and Georg Friedrich Händel are perhaps the most well- known names from the Baroque. Although the Classical period really counts from 1750 and forward to roughly 1820, people do generally associate Classical music as a recognized concept to these two names, along with Franz Joseph Haydn, Vivaldi, Mozart and Beethoven. When considering the staple of exponents of the Classical, tonal music era, also Richard Wagner has to be found as one of its greatest composers. As the general style during the later historical period first embraced a clean, uncluttered style, reminiscent of Classical Greece, and then turned into a- tonality, Wagner was the last genuine creator of pomp and pageantry.

ow it's your turn.

This page is named "The OFFICIAL CLASSICAL MIDI INSTITUTION page". The reason for this is not immediately obvious. My intention is to encourage you getting lost in the TONAL music, also when taking up statements about proper musical values of today. I know there are many great composers out there. Maybe, you are one of them. On the other hand, no different area is so defiled with inflated egos as is the domain of music. I am humble when proposing you to return to the TONAL MUSIC as an idea of appropriate music style. Do you see the renaissance?

arelma MIDI files, original music

M.I.D.I P.I.A.N.O M.U.S.I.C 1	M.I.D.I O.R.C.H.E.S.T.R.A M.U.S.I.C 1
M.I.D.I P.I.A.N.O M.U.S.I.C 2	M.I.D.I O.R.C.H.E.S.T.R.A M.U.S.I.C 2
M.I.D.I P.I.A.N.O M.U.S.I.C 3	M.I.D.I O.R.C.H.E.S.T.R.A M.U.S.I.C 3
M.I.D.I P.I.A.N.O M.U.S.I.C 4	M.I.D.I O.R.C.H.E.S.T.R.A M.U.S.I.C 4
M.I.D.I P.I.A.N.O M.U.S.I.C 5	M.I.D.I O.R.C.H.E.S.T.R.A M.U.S.I.C 5
M.I.D.I P.I.A.N.O M.U.S.I.C 6	M.I.D.I O.R.C.H.E.S.T.R.A M.U.S.I.C 6
M.I.D.I P.I.A.N.O M.U.S.I.C 7	M.I.D.I O.R.C.H.E.S.T.R.A M.U.S.I.C 7
M.I.D.I P.I.A.N.O M.U.S.I.C 8	M.I.D.I O.R.C.H.E.S.T.R.A M.U.S.I.C 8
M.I.D.I P.I.A.N.O M.U.S.I.C 9	M.I.D.I O.R.C.H.E.S.T.R.A M.U.S.I.C 9
M.I.D.I P.I.A.N.O M.U.S.I.C 10	M.I.D.I O.R.C.H.E.S.T.R.A M.U.S.I.C 10
M.I.D.I P.I.A.N.O M.U.S.I.C 11	M.I.D.I O.R.C.H.E.S.T.R.A M.U.S.I.C 11
M.I.D.I P.I.A.N.O M.U.S.I.C 12	M.I.D.I O.R.C.H.E.S.T.R.A M.U.S.I.C 12
MIDI SOLO MUSIC 1 (violin)	M.I.D.I O.R.C.H.E.S.T.R.A M.U.S.I.C 13
MIDI SOLO MUSIC 2 (organ)	M.I.D.I O.R.C.H.E.S.T.R.A M.U.S.I.C 14
	M.I.D.I O.R.C.H.E.S.T.R.A M.U.S.I.C 15

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