| British actress Julia Ormond had several solid years of
stage work to her credit -- not to mention the starring role in the
made-for-cable Catherine the Great biography Young Catherine (1991) --
when, at 27, she co-starred in the expensive HBO biopic Stalin (1992).
Most of the publicity guns were aimed at Robert Duvall's heavily accented
portrayal of the Soviet dictator, but at least one observer singled out
Ormond's performance as the long-suffering Mrs. Stalin as one of the
highlights of the picture. That observer was director Edward Zwick, then
preparing his own big-budget theatrical feature Legends of the Fall.
Thanks to her excellent showing in the formidable company of Fall costars
Anthony Hopkins, Brad Pitt, Aidan Quinn, and Henry Thomas, Ormond found
herself, on the verge of 30, as Hollywood's ingenue du jour. Born in
Epsom, Surrey on January 4, 1965, Ormond was a child when her parents, a
businessman and a laboratory technician, divorced. A self-admitted tomboy
who excelled at field hockey, she became involved with the theatre in
school plays, and, following a stint at art school (both of her
grandparents were abstract artists), she studied drama at London's
Webber-Douglas Academy of Dramatic Arts. Following graduation, she landed
her first professional work in TV commercials, and then acted in a series
of plays until she had her breakthrough with Catherine the Great. Before
1995, her Hollywood breakthrough year, was over, the graceful,
silken-haired Ormond had played Guinevere opposite Sean Connery's King
Arthur in First Knight and had been cast in the title role of Sydney
Pollack's ill-advised remake of Sabrina. When asked by Premiere magazine
what her future plans were, Ormond replied "Along with Godzilla and
the rest of the acting community, I'd like to direct." But although
she did set up her own production company, the actress opted to stick with
working in front of the camera, starring in Bille August's much-publicized
filmization of Peter Hoeg's best-selling Smilla's Sense of Snow (1997).
Unfortunately, the film proved to be a virtual nonentity both at the box
office and amongst critics, and Ormond disappeared from the radars for a
couple of years, only popping up to star in Nikita Mikhalkov's Sibirsky
Tsiryulnik (1999). In 2000, she re-emerged in front of Hollywood cameras
alongside Vince Vaughn in Prime Gig, a drama about the life, loves, and
losses of a California telemarketer. |