| Boasting talent, versatility, and one of the most distinctive heads of
hair in Hollywood, Julianne Moore has proven herself equally adept in both
mainstream blockbusters and smaller, more intelligent films. The daughter
of a military judge and a Scottish social worker, Moore was born in
Fayetteville, North Carolina on December 3, 1961. After attending Boston
University, she began her acting career via the taxing world of daytime
drama. From 1985 until 1988, she was best known for her role as Franny
Hughes on As the World Turns. The part, which on occasion required her to
play twins, won Moore a 1988 Emmy Award. The actress made her entrance
into the big screen arena with a 1990 debut in the schlocktastic Tales
From the Darkside: The Movie (which, it's worth noting, also featured
Steve Buscemi). Two years later, after making various TV movies, Moore
reappeared in feature films with supporting parts in Curtis Hanson's tale
of a babysitter gone bad, The Hand That Rocks the Cradle and the comedy
The Gun in Betty Lou's Handbag. The following year, her exposure increased
further thanks to roles in four different films that ranged from the
half-baked thriller Body of Evidence to the sweetly quirky Benny and Joon
to the big-budget smash The Fugitive to Robert Altman's epic Short Cuts.
The last film gave Moore literal exposure in addition to the more
figurative kind: she was required to play one scene naked from the waist
down, something that predictably won the attention of critics and
filmgoers. The intermittent praise that had been afforded Moore was
amplified in 1994 with her performance as Yelena in Vanya on 42nd Street.
The object of adjectives ranging from "luminescent" to
"radiant" to "revelatory," the actress went on to play
a very different character in Todd Haynes' Safe (1995). Moore won an
Independent Spirit Award nomination for her portrayal of a woman
(literally) sickened by the environment around her, and further proved
that she was an actress of distinct versatility. The same year she again
demonstrated this ability with a starring role opposite Hugh Grant in the
comedy Nine Months. Following a turn as one of Picasso's numerous lovers
in Surviving Picasso (1996), a lead in the family drama The Myth of
Fingerprints (she would later have a son with the film's director, Bart
Freundlich), and a substantial part in The Lost World: Jurassic Park,
Moore nabbed what was one of the plum roles of her career in Paul Thomas
Anderson's Boogie Nights. For her portrayal of a porn actress, she won
Golden Globe and Academy Award nominations. A substantial role as an
erotic artist in the Ethan Coen's and Joel Coen's The Big Lebowski
followed in 1998, along with a turn as Marion Crane's sister in Gus Van
Sant's Psycho re-make. The next year, Moore starred in a number of
high-profile projects, beginning with Robert Altman's Cookie's Fortune, in
which she was cast as the dim sister of a decidedly unhinged Glenn Close.
A portrayal of the scheming Mrs. Cheveley followed in Oliver Parker's An
Ideal Husband, with a number of critics asserting that Moore was the best
part of the movie. The actress then enjoyed another collaboration with
director Anderson in Magnolia, an epic telling of nine interweaving
stories inspired by Short Cuts and featuring an impressive cast that
included Anderson regulars Philip Seymour Hoffman, Philip Baker Hall, and
John C. Reilly. The same year, Moore also starred in the drama The End of
the Affair, with Ralph Fiennes and Stephen Rea, and portrayed a grieving
mother in A Map of the World, which premiered at the 1999 Toronto Film
Festival. |