| from "The Cosmopolitan Day of Reckoning" by Andreas Gripp: | |||||||||||||
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| Bitter Jeez Louise The raincoat that she dons, on sunny days, makes them laugh: the girls in tube and halter tops, the boys on black skateboards, even grandmas walking dogs She spends her spring in stack 9B, section E point six-four-three. She's working on a thesis, I've heard, from the driver on my route. How fossil fuels can be replaced by solar panels, westward winds "Louise" never smiles when she boards the city bus, her change dropped like anchors from her hands She gave her quarters all to bullies, learned to study without lunch. Even now, she sits in corner cubicles, eyes graffiti scrawled of her, twelve years past, has yet to scratch it out or eat a sandwich, soup, at noon |
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| Just Friends In this, your final visit, we talk of "only friends" and the other silly things that make us look away, from each other's eyes, when neither you or I would want it this way And I change the subject rather hastily, when you ask am I still pretty? Its catch twenty-two stares me in the face when I speak in lieu of suitcase bombs and bio wars that make for front page fodder. I don't want to die unloved you say and I agree, and a gas bar clerk is shot five times as if once won't do the trick, bread lines grow in Montreal and the Budget calls for higher tax that moms can never give and Jihad's called again, stocks are set to crash, and I think you're just as pretty as the day we danced to Liszt, and I speak of strikes instead, of whales harpooned and seals still killed for fur, of famines in Angola and that nukes are everywhere, and I'd like to kiss you now but I'm too afraid to try and land mines blow six kids apart and ain't it great to be alive |
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| Queens & Richmond You said his name was Maynard and he squeegees for a dime. Fine then. I dig for better coinage, much to my chagrin. A toonie for the back and leave the mirrors filled with spots. When you catch my face from behind the car, I'll have excuse for imperfection. |
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| Unborn Daughter, or Why I Live With Cats I fear for you and what's ahead: Wars of race and hatred, cities bombed and shelled, skeletons of bone and stone and fresh water dried to sand, radiation in the land and even if there's not, if it doesn't come to pass, how can I let you out of doors with the bad man there and waiting? |
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| all poems (c) 2003 by Andreas Gripp | |||||||||||||
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