In "Brush Traces" serie, I revisit Asian Brush Painting with the addition of another dimension: The European perspective (art). A visual-musical (or mathematical) partition-vibration, trace referring to music, oscillation and traces of time or some sorts of language.
In my composition I associate opposition (contrast) light and shadow, movement and stasis, order and disorder, visual music and visual imagery, european perspective and asian flatness, between physics and quantic physics, between orient and occident, to an harmony, to a true dynamic equilibrium, without extrem way, in a virtual time-space generated by computer.