A Critical Look at Archaeoastronomy and the Anasazi Culture of the American Southwest
The following research paper was written after attending Dr. Paul Browns, Archaeological fieldschool to the American Southwest, and will be presented at the Spring 2,000 Undergraduate Research Conference at Minnesota State University, Mankato.

�����������
For as long as humanity has existed, it has been in a state of constant
flux between survival and the elements. Dependent upon both the earth and sky
for survival, cultures around the world have found differing ways of dealing
with such a precarious balance. The study of archaeoastronomy seeks to study how
different cultures have dealt with such a strange balance, by examining the ways
in which different cultures related to terrestrial and cosmological events.
Concerned largely with the cosmologies, myths, calendarical systems, navigation
and other celestial phenomena marked by culture, the focus of the
archaeoastronomer is less with the stars and more with cultures themselves. Yet,
being a rather young branch of archaeology, the question of whether
archaeoastronomy truly accomplishes its end, to study cultures and the celestial
phenomena celebrated or marked by culture, remains to be seen. Has
archaeoastronomy truly begun to accomplish its goal of understanding or studying
a culture on an astronomical basis? If so, what impact has this had on the
general archaeological community at large? These few basic questions continue to
plague the science of archaeoastronomy, and at their basest level delve into the
very theoretical, methodological, and epistemological concerns of the science of
archaeoastronomy itself.
�����������
The science of archaeoastronomy[1]
is a relatively new branch of archaeology. Founded within the early 1970�s it
was not formally considered a sub-discipline until the University of Oxford
sponsored several archaeoastronomical research conferences, simply known to
archaeoastronomers as Oxford I, II, and III. While at first largely concerned
with astronomical megaliths such as Stonehenge and European history, by the time
of Oxford II (the second conference nearly a decade later) the focus of
archaeoastronomy had slowly began to shift to smaller sites throughout the
world. By the time of Oxford III, within the later 1980�s and early 90�s,
the focus of the conference began to encompass astronomical phenomena from
around the world including within the United States. With each Oxford
conference, a growing interest in archaeoastronomical phenomena has become
apparent, but with each conference there have come growing questions of
methodology, theoretic and other epistemological questions concerning the
sub-discipline as a whole.� While
the Oxford conferences and the adjunct papers produced for it continue to have
their place within the relative canon of archaeoastronomical thought, such
papers have also brought out some of the major flaws in such a blooming science
as archaeoastronomy. Such flaws, though similarly faced by the disciplines of
archaeology and anthropology within their theoretical coming of age, have
contributed to the almost complete dismissal of archaeoastronomical finings by
archaeology itself. Ultimately, the reasons for such a dismissal law within the
question of whether archaeoastronomy is truly relevant to archaeology or not and
for that matter if it is relevant does such information truly at the continuum
of archaeological information.
�����������
Of the many criticisms of archaeoastronomy the question of methodology
and relevance takes the fore. Archaeoastronomy is multi-disciplinary, and
encompasses aspects of archaeology and astronomy. Researchers in
archaeoastronomical research generally come from a background in archaeology,
astronomy or both. A large focus of archaeoastronomical studies has been on
megalithic structures or ritualistic dwellings, and their apparent (if they have
them at all) alignmentary o relationary association with astronomical phenomena.
Among other things an archaeoastronomer does to define whether a site has some
archaeoastronomical association or not, is to survey and check for obvious
alignments using tradition archaeological tools and techniques. While ideally,
using the techniques of its mother discipline archaeology, would seemingly aid
an archaeoastronomers research, in some instances it does not. In many cases,
the harshest criticism laid upon archaeoastronomy is that is imagines some
astronomical significance�s to a given site. Imagined archaeoastronomical
significance is one point of contention to archaeoastronomy, but an even larger
point of criticism are the �wild theories� generated by archaeoastronomical
research. Such wild theories, which almost always related to UFO�s, Atlantis,
or some psychic phenomena (etc), have served to weaken credible
archaeoastronomical research in its endeavor to be accepted by mainstream
archaeology. In particular a classic example of the wild theory phenomena is
with the recent theories of the celestial alignment of the great pyramids of
Giza, Egypt, as well as with the debate of who built the pyramids. While wild
theories have plagued most sciences through out their existences, (some which do
come from a legitimate scientific foundation) in the case of archaeoastronomy
and archaeology, the influence of two distinct disciplines astronomy and
archaeology has made defining hard science from pseudo-science exceedingly
difficult. The reason for such a difficulty is obvious, the two disciplines,
both archaeology and astronomy, come from a differing theoretical basis; thus,
melding both together is one of many continual challenges archaeoastronomy, as a
distinct discipline shall have to face.
�����������
It is from a methodological standpoint, that the relationship between
archaeology and astronomy both exhibit their greatest strengths and weaknesses.
Both astronomy and archaeology have firmly established themselves as hard
sciences, both with their own distinct methodologies and theoretical wave of
thought. However, while astronomy has had the benefit of being an empirical
science, dependent upon the scientific method and with a firm basis in
methodology and theory, archaeology has had it�s of distinct difficulties as a
branch from the social sciences. Archaeology has firmly been defined as the
scientific stuffy of ancient or present day civilizations and culture, which
primarily uses artifacts and other forms of data as evidence. Far from being a
purely social science akin to sociology, the roots f archaeology law within
anthropology. Anthropology, which had sought for decades to become defined
separately defined from the milieu of social sciences (such as psychology and
sociology), has fought to establish itself as the independent social science of
culture. Though archaeology�s main focus is upon the artifactual, prehistoric,
or even modern remnants of a civilizations or culture, it does contain at the
most basic and expansive lever, emphasis on the cultural manifestations of a
given peoples. The emphasis on culture (among many others) has been to the
benefit of archaeology and has been one piece of a larger puzzle, in answering
the ever elusive and ever changing problems concerning the epistemology of
archaeology (or better known a the classic question � why do we study what we
study?). From an epistemological perspective, the purpose or reason why
archaeologists study archaeology can be found within the numerous texts, lengthy
dialogues, surveys, excavations, and other aspects of archaeological world.
Simply by doing archaeology, the science continually reinvents itself and
continues to define itself simultaneously, on the basis of all word done before
it. The obvious goal of an archaeologist (or for that matter any scientist) is
to add to the continuum of knowledge within its field. From a theoretical
standpoint however, he one static element that archaeology studies and which
continues to be a point of contention is culture.
�����������
Classically archaeology has examined culture by looking at artifacts and
other remains of a people, but largely archaeology consists of a much larger
span of research including the cultural aspects of anthropology. Such a science,
which covers the vital aspects of culture, requires an essential methodology,
and to a large degree archaeology has satisfied this need. Yet, with the topic
of methodology comes the topic of relevance. Astronomical research has the
benefit of studying verifiable, knowable, non-subjective articles. The
composition of a star changes little over billions of years, and the changes
within the cosmos are predictable, easily defined, classifiable, and knowable.
The study of culture itself is relative, and while there are objectifiable
knowable truths within the discipline of anthropology (albeit a limited few,
commonly referred to as human universals), culture defined itself in a continuum
of changes which occur over a relatively small period of time, and whose
composition cannot be easily determined as classifiable or predictable. It is
largely this conflict between the study of culture and the study of the stars
where archaeoastronomy has so far unsuccessfully attempted to bridge the gap
between it�s mother disciplines. While the color the star Sirius A[2],
in the constellation canis major, may appear to astronomers to have some
archaeology or anthropological relevance, such studies are far removed from
actual archaeological research. In particular, what is anything can be defined
or taken from a study of the color of Canis Major? What can be learned from
studying the differing ways in which cultures understood culture of their own
cosmological or mythological place? Does such information add to the advancement
or knowledge of a human cultural universal? In the case of Sirius A, while the
color of the star may be particularly intriguing for astronomers, it is obvious
on a cultural level, that different cultures will look at colors in differing
ways, and thus the only thing added to the study of archaeology by such research
is a look at the world view or mythology of a given culture, something which
archaeology and anthropology could have done even without any astronomical help.
�����������
Similar problems of relevance within archaeoastronomical research are
found within the methodology used by archaeoastronomers in their studies of
ancient cultures. As stated above the tendency of archaeoastronomy to take on
wild theories is partially caused by a lack of methodological and theoretical
principles. Wild theories however, are only one aspect of the problem of
archaeoastronomical methodology. The ultimate relevance of archaeoastronomical
finds generally lend themselves to two large questions concerning any culture
and it�s astronomy: what is the significance the astronomical phenomena played
within a given culture (what was the alignment, megalith etc. for), and just how
big an impact did such an alignment or astronomical phenomena have on a culture
(i.e. what was the general significance, reason and cultural impact of the
astronomical phenomena)? These two questions make up the why and how of
archaeoastronomical studies, but in many cases their answers (found in most
archaeoastronomical studies) leave much to be desired. However, this does not
mean that all archaeoastronomical studies are lacking a proper theoretical and
methodological basis, and that they do not attempt to answer the two main
questions posed by archaeoastronomical studies. Good research and bad research
exist within any science, but within archaeoastronomy one of the best contrasts
between good and bad research has been within research concerning the Anasazi of
the American Southwest.
�����������
The Anasazi were an ancient Native American peoples who lived within the
American southwest from roughly 100 A.D. to 1300 A.D. Their primary settlement
areas were within the four corners region of Utah, New Mexico, Arizona, and
Colorado. The Anasazi had a vast culture with a fantastic pottery, basketry,
rock art, and architectural tradition. Like many prehistoric cultures found
within North and Latin America, the Anasazi left behind no written language,
leaving much of the cultural interpretation to be based on artifactual remains
and the interpretation of the present day ancestry of the Anasazi. Reasons for
the Anasazi disappearance from the American Southwest are unclear, although most
sources point to the environment and warfare as being primary factors. The
remnants of Anasazi culture all share a general commonality in architecture and
design, which has been aptly termed the Chacoan patter. Elements of the Chacoan
pattern have been found within cultural aspects of the present day Pueblo
people�s. The Pueblo peoples, who generally all trace their ancestry to the
Anasazi are composed o25 distinct cultural grounds and include the Navajo, Zuni,
Tewa, Toas, and Hopi. Archaeologists have relied heavily upon the interpretation
of the present day Pueblo peoples in order to gain a cultural understand of the
artifactual remains of the Anasazi. Whether using the interpretation of the
present day Pueblo peoples is truly accurate or not, many questions about the
Anasazi remain unanswered. It is unknown whether the present day Pueblo were an
actual branch off from the Anasazi, or whether they were a separate group, which
incorporated Anasazi practices into their own ways. What is clear from most
research concerning the Anasazi is that they were a state level culture, heavily
dependent on the environment and story for their subsistence, and had an amazing
ceremonial and religious tradition.[3]�
Anasazi settlements are found throughout the American Southwest, but of
primary interest to archaeoastronomers are the settlements and apparent
megalithic structure found within Chaco Canyon, New Mexico. The Chacoan pattern
gleans its name from the settlements of Chaco Canyon. The obvious continuity in
architectural and architectural design is easily observed from any of the many
large-scale structures of the Canyon (Chetro Ketl, Pueblo Bonito, Casa Chiquita,
etc). Almost all of the structures of Chaco are constructed in a classic D
shape, the majority of rooms within the structures are used for storage, and
kiva's are found in every settlement structure. Settlements around Chaco Canyon
are all within viewing distance of Fajada Butted (save for Wijiji Ruins to the
far southeast whose view is blushed by Chacra Mesa and Mockingbird Canyon).
Fajada Butte sits within the middle of Chaco Canyon and is rather inaccessible.
At the very top of Fajada Butte are three stone slabs, and two stone spirals
chiseled into the side of the Butte, which together form a megalith that has
captured the minds of archaeoastronomers through out the world. The purpose of
the megalith is generally agreed upon by archaeoastronomer, that the two spirals
marked the summer and winter solstices, and at their most extreme level of
interpretation also marked the moon at it�s peak during it�s 18.6[4]
year cycle. The finding of the megalith atop Fajada Butte, more popularly and
commonly known as the Sun Dagger, had led many archaeoastronomers to consider
the possibility of other astronomical alignments throughout Chaco Canyon. It is
with the search of astronomical alignments in archaeological structures in and
around the Chaco settlement pattern that both the strengths and weaknesses of
archaeoastronomy are found.
�����������
R.A. Williamson�s study of the possible archaeoastronomical alignments
of Casa Rinconada in Chaco Canyon[5]
focused upon the more practical observations of an archaeoastronomical study.
Primarily focused upon the great kiva[6]
at Casa Rinconada, Williamson first surveyed and mapped out the angles of the
great kiva, and then compared the angles to the previous archaeological data of
the 1930�s. After mapping in angles, and the diameter of the great kiva
structure, Williamson then set out to find any correlation between astronomical
phenomena such as the solstices and winter equinoxes and any lunar phenomena as
they would apply to the archaeological structure within it�s untouched state
(some kiva structures have been restored in past years). Williamson writes,
�throughout the paper I use the term �astronomical alignment� to denote an
observable or measured arrangement of kiva features along a line of astronomical
significance. Such alignments may or may not be intentional; indeed, the
question of whether or not they may have been placed in the structure
intentionally is the subject of this paper.� Williamson found from his study
that the great kiva of Casa Rinconada was not an observatory site, but did have
several features that were in concern with astronomical phenomena. Namely
Williamson found that at the vernal equinox the sun�s shadow covers exactly
half of the kiva structure, at the summer solstice the light of the sun beams
directly into a north easterly window, and at the time of the summer solstice
when the moon reaches the apex of it�s 18.6 year cycle it possibly illuminates
on of the niches in the kiva. Williamson�s research continues with a stating
of the ethnographic significance of the archaeoastronomical data. Simply,
Williamson�s findings comply with conceivable ethnographic data. All
throughout Chaco canyon one finds that the Anasazi had a unique connection o
their environmental surroundings, and that in some ritualistic or astronomical
sphere the sun and moon all played a significant role in their lives. Similarly,
the present day Pueblo also emphasize the same, sun and moon celestial phenomena
as the Anasazi, using very similar ritualistic archaeological structures and
designs. Williamson�s study is amazingly complete, and is compliant with
ethnographic and archaeological evidence found about the Anasazi.
Methodologically, Williamson used classic archaeological techniques of
comparison and contrast, and continual record checks to derive his data[7].
�����������
In comparison to the work of Williamson, Claude Britt Jr�s study,
�Early Navajo Astronomical Pictographs�[8],
is a contrast in terms. The primary focus of Britt�s work was on the
archaeoastronomical significance of the Navajo star ceiling sites of Canyon De
Chelly. While these star ceiling sites are not entirely related to the Anasazi,
their study does hold significance to most all archaeoastronomical studies which
use the present day Pueblo as an ethnographic resource. The star ceilings
themselves are found throughout Canyon De Chelly, they are rock shelters, with
sand paintings on the ceilings that consist of pictures of crosses, x�s, and
other symbols. The use of the star ceilings points to some ritualistic purpose
as is assumed by the present day Pueblo peoples. While Britt offers a great deal
of archaeological evidence in describing the star ceilings of Canyon De Chelly,
it is with the ethnographic interpretation of his work that questions are raised
concerning his research. These questions not only relate exclusively to
Britt�s work, but to other archaeoastronomical evidence as well.
�����������
Within Britt�s work, the primary focus was to discern possible
ethnographic interpretations of the Star Ceiling sites. It is obvious from the
star ceilings that they do indeed depict the night sky to some degree; but
Britt�s primary question as what did such star ceilings mean to the Navajo.
From an ethnographic perspective Britt�s work is weak. Britt relied upon 22
Navajo informants who he asked various questions concerning the star ceiling and
in particular the meaning of the Father Sky image that shows up repeatedly in
Navajo sand paintings. The image of Father Sky is prevalent within Navajo
culture, within it is a depiction of the sun, moon, the Milky Way, and what
Britt and other archaeoastronomers have termed the more important constellations
(namely theories which modern westerners are familiar with, based upon ancient
Greek Mythology). Repeatedly Britt�s informants stated that the depiction of
Father Sky and for that matter the star ceilings were extremely sacred images to
the Navajo, the interpretation of which each Navajo elder would not discuss with
other Navajo or Britt[9].
The refusal of the Navajo to talk about the symbolism of the star ceilings
remains controversial and only half explained by Britt�s research. With is
left from Britt�s research is an interpretation of the star ceiling (as
representative of Navajo constellations, where each different cross or star
represents a different magnitude f star light, and where each constellation is
representative in some way to the mythology of the Navajo), with an only half
founded ethnographic and historical understanding of the possible meanings of
the star ceiling. While this is not necessarily a flaw within Britt�s
research, his heavy reliance upon informant information is questionable and
needs to be thoroughly backed up by other ethnographic study or data (Britt�s
study was the first of it�s kind to study the Navajo star ceilings). Aside
from the ethnographic interpretation, the heavy reliance of archaeoastronomers
upon western astronomical thought remains a point of contention and it clearly
is obvious in Britt�s work.
�����������
Both studies by Williamson and Britt encompass differing aspects of
archaeoastronomical research, and both bring out the strengths and weaknesses of
such research. Namely, both studies use extremely thoroughly archaeological
methodology and research design in their construction, but it is by far largely
within the ethnographic fields many that archaeoastronomical studies have their
failings.� Perhaps such a difficulty in ethnographic interpretations lay
within the variable nature of culture itself, or perhaps within the relatively
young foundation archaeoastronomy has. What is clear from the author�s,
research is that all archaeoastronomical studies acknowledge the need for
further research. Such an acknowledgement is obvious in the two research studies
listed above, and will require the unique incorporation of ethnographic,
archaeological, and astronomical data into a comprehensive whole. The
incorporation of these three different but united fields will require
archaeoastronomy to be accepted by the greater archaeological community, which
in turn means acknowledging and accepting a verifiable methodological and
theoretical methodology in all archaeoastronomical studies. Perhaps once
archaeoastronomy has established itself in the methodological, theoretical and
epistemological sphere, it will be the comprehensive science that is has
attempted to be, incorporating both aspects of archaeology and astronomy as a
powerful branch of archaeological research.
�����������
In conclusion, has archaeoastronomy truly begun to accomplish its goal of
understanding or studying a culture on an astronomical basis? If so, what impact
has this had on the general archaeological community at large? It is obvious
from current research in archaeoastronomy that this relatively young branch of
study has a long way to go in establishing itself on both theoretical and
methodological grounds. Establishing archaeoastronomy will seemingly require a
great emphasis on methodology and theory, and a continual questioning of the
epistemology and relevance of all archaeoastronomical studies. Current stumbling
blocks to archaeoastronomy are similar to those that other sciences faced in
their gradual drive toward mainstream acceptance. Of the greatest challenge to
archaeoastronomy is the incorporation of astronomy�s hard science approach to
research and archaeology�s blending of hard science and culture research. Once
the two sciences of astronomy and archaeology are blended within
archaeoastronomy, it is then conceivable that archaeoastronomy will be seen as a
relevant branch to archaeology research, adding to the continuum of scientific
knowledge concerning culture and the stars.
Bibliography
Dan,
Borcious. (1998). Looking for Answers in the Skies. American Archaeology, Vol
2., No. 2, pg. 11-18.
Sofaer,
Sinclair, and Dogget. (1982). Lunar Markings on Fajada Butte, Chaco Canyon, New
Mexico. In Archaeoastronomy in the New World, Ed. A.F. Aveni Austin:
Cambridge University Press.
R.A.
Williamson (1982). Casa Rinconada, A twelfth Century Anasazi Kiva. In
Archaeoastronomy in the New world, Ed. A.F. Aveni. Austin: Cambridge University
Press.
Britt,
Claude Jr. (1975). Early Navajo Astronomical Pictographs in Canyon De Chelly,
Northeastern Arizona, U.S.A. In Archaeoastronomy in Pre-Columbian
America. Ed. A.F. Aveni. Austin: University of Texas Press.
Ceraioli,
Roger. (1993(. The Riddle of Red Sirius: An Anthropological Perspective. In
Astronomies and Cultures, Ed. Clive Ruggles and Nicholas Saunders. Niwot:
University Press of Colorado.
Ruggles,
Clive. (1993). Introduction. Archaeoastronomy in the 1990�s. Loughorough:
Group D Publications Ltd. Pg. 1 � 14.
Williamson,
Ray A. (1981). North America: A Multiplicity of Astronomies. In
Archaeoastronomy in the Americas. Ed. Ray A. Williamson. Los Altos: Bellena
Press.
Young,
Jane, Williamson, Ray. (1981). Ethnoastronomy: The Zuni Case. In
Archaeoastronomy in the America�s. Ed. Ray A. Williamson. Los Altos: Bellena
Press.
McCluskey,
Stephen. (1981). Transformations of the Hopi Calendar. In
Archaeoastronomy in the Americas. Ed. Ray A. Williamson. Los Altos: Bellena
Press.
Notes
[1] Archaeoastronomy�s sister discipline is ethnoastronomy. Ethnoastronomy is the more anthropologically based element of the discipline of archaeoastronomy, although many archaeoastronomers content that there are great differences between the two. Namely, archaeoastronomy generally applies to the prehistoric or megalithic and archaeological phenomena of an ancient culture, where as ethnoastronomy looks at the present day views of a culture on cosmology, mythology and other celestial phenomena.
[2] Roger Ceragioli�s study, �The Riddle of Red Sirius: An Anthropological Perspective�, (Ceragioli, Roger, (1993). The Riddle of Red Sirius: An Anthropological Perspective. In Astronomies and cultures, Ed., Clive Ruggles and Nicholas Saunders. Niwot: University Press of Colorado.) Was presented at the Oxford III conference and was primarily concerned with historical data from ancient astronomers (including Egyptian, Seneca, and the historian Herodotus), in construing how and when the color of the star Sirius turned from red to white within a two-thousand year time span, but also looked at the anthropological significances of the colors red and white in differing cultures. This study is one of many, which alluded to a relationship between anthropology and astronomy but only seems to be examples or historical overviews. The author contends that the relevance of these studies though valid, is questionable in an archaeological or anthropological context.
[3] All factors of which are classic examples of the New World tradition or way of life.
[4] Recent evidence has suggested possible moon alignments with the stone spirals, but research has yet to be completed in this area. For a full treatment see: Sofaer, Sinclair, and Dogget. (982), Lunar Markings on Fajada Butte, Chaco Canyon, New Mexico, In Archaeoastronomy in the New World, ed A.F. Aveni Austin: Cambridge University press.
[5] R.A. Williamson (1982). Casa Rinconada, A Twelfth Century Anasazi Kiva. In Archaeoastronomy in the New World, Ed. A.F. Aveni, Austin: Cambridge University Press.
[6] A Kiva is a circular structure built by the Anasazi possibly used for ritualistic or common day purposes.
[7] It is the author�s view that Williamson�s work is quite complete and methodologically sound, however, Williamson did not look at other great Kiva sites found through out the Southwestern region near Chaco Canyon. Aztec Ruins, north of Chaco Culture National Park, exhibits similar markings, and relationships to that of Casa Rinconada. After a personal interview with o of the rangers from Aztec monument, it was confirmed by the author that a possible winter or summer solstice alignment was found within the great kiva structure of Aztec. The author contends that other possible alignments with many of the great Kiva structures around Chaco canyon may exhibit similar alignmentary features.
[8] Britt, Claude Jr. (1975). Early Navajo Astronomical Pictographs in Canyon De Chelly, Northeastern Arizona, U.S.A. In Archaeoastronomy in Pre-Columbian America. Ed. A.F. Aveni. Austin: University of Texas Press.
[9] In particular one informant told Britt, that upon showing an image of the star ceiling at Canyon De Chille to his father �When I showed the drawing to my father he burned it. My father said that place is so highly sacred that it would be disrespectful to the yei for us to have a copy in the house.�
�