Transcribed by Judith Allen
CREDITS ROLL
COREY
I don’t feel anything.
dc
Come on, it’s graduation.
corey
Did you see what Mr Carroll wrote in my yearbook? Well, he ridiculed me all year long, and then he writes, "You’re a real live-wire, Love Mr Carroll." Y’know, it’s all so phoney.
EXT. SEATTLE - DAY
dc
He wants to leave things on a good note.
corey
Well, where Mr Carroll uses the word ‘love’, I look for a new word.
INT. COREY’S ROOM – DAY
LLOYD DOBLER, COREY FLOOD AND DC are talking together.
dc
Lloyd, she’s being difficult.
lloyd
I’m going to take out Diane Court again.
corey
That’s unlikely.
lloyd
The movies are a good second date, you know, as a date?
corey
But you never had a first date.
lloyd
Yes I did- I sat across from her in a mall. We ate together. We ate, that’s eating, sharing an important physical event.
corey
That’s not even a scam.
lloyd
What’s a scam?
corey
Going out as friends.
dc
No it’s not. A scam is lusting.
lloyd & corey
Then, what’s a date?
dc
A date is pre-arrangement, with the possibility for love.
corey
Then what’s love?
lloyd
I’m gonna call her.
corey
Diane Court doesn’t go out with guys like you. She’s a brain.
dc
Trapped in the body of a gameshow hostess.
corey
Diane Court does not realise how good-looking she is.
lloyd
Sounds great to me, I’m going to call her, that’s what’s cool about her.
corey
Brains stay with brains. The bomb could go off and their mutant genes would form the same cliques.
dc
I wouldn’t get my hopes up Lloyd.
corey
I’m sorry. It’s just you’re a really nice guy, and we don’t want to see you get hurt.
lloyd
I wanna get hurt!
EXT. SEATTLE HIGHWAY – DAY
There are a lot of cars going towards the city.
INT. JIM’S CAR – DAY
JIM COURT is driving his daughter DIANE COURT to her graduation.
diane
Well, it’s almost over. We’ve gone to school together for three years... I might cut that part out.
jim
Why? It’s fine. It’s nice.
EXT. SEATTLE – DAY
Lloyd is on his way to the graduation. He takes a timed photo of himself with his camera.
INT. JIM’S CAR – DAY
Diane sees a group of statues dressed in the gowns and mortarboards of her school, with balloons tied to them.
INT. LLOYD’S CAR – DAY
Lloyd is playing music on his car stereo. The tape goes funny, and he jams a piece of folded-up cardboard under the tape to hold it in place.
INT. JIM’S CAR - DAY
diane
Having taken a few courses at the university this year, I have glimpsed our future, and all I can say is... go back.
jim
Ha! Go back! What a great line!
diane
You like it?
jim
Oh yeah!
diane
I didn’t think anyone would get it.
jim
Oh no, no, it’s... it’s wonderful. It’s... no, don’t worry about it. You’re very funny. Go back, that’s great!
diane
Alright, no more, I’m going to save it.
jim
Okay.
EXT. HIGH SCHOOL – DAY
It is graduation, and JOE is singing on the stage in front of everyone. The students start to clap and sway to the ‘music’.
joe
I love you guys! Party at Valhere’s, going to be great. Be there.
principal
Thank-you Joe.
He silences the audience.
Thank you. Thank-you Joe. Now it’s time. I just can’t introduce this person without saying ‘History, Oceanography, Creative Writing, Biochemistry’. I think you know who I’m talking about. We’re going to remember this student who said "Hey world, check me out." Giving a speech entitled ‘Soaring Ahead’, Miss Diane Court.
Diane stands up, and takes her place at the lectern.
diane
Thank-you. The real world.
lloyd
Look at those eyes.
Lloyd is listening intently. During the speech, we see the faces of many parents and students.
diane
We’re all about to enter ‘The Real World’. That’s what everybody says. But most of us have been in the real world for a long time. But I have something to tell everybody. I’ve glimpsed our future, and all I can say is... ‘Go Back’.
There is silence from the crowd.
jim
Ha!
diane
Well, it’s almost over. We’ve gone to school together for three years, and we’ve been through a lot. But with that training out of High School gone, what’s going to happen to us? We all know what the answers are. We want to be happy, go to college, own a car, maybe raise a family. But what if that doesn’t happen? I have, I have to be honest though, I have all the hope and ambition in the world. But when I think about the future, the truth is, I am really...scared.
EXT. SCHOOL, WOODED AREA – DAY
Lloyd is taking a photo of Corey, DC and MRS FLOOD.
lloyd
Alright, get up on it. Yeah, alright.
He takes the photo and hands the camera to Corey.
mrs flood
See you at home.
corey
Alright.
mrs flood
Now do yourself and everyone who loves you a favor, and don’t talk to Joe.
corey
Mum! Mum!
lloyd
Look at those eyes.
corey
Lloyd, give it up.
lloyd
Do me a favor; take a picture of me with her.
corey
Lloyd.
lloyd
C’mon, just do it.
corey
C’mon Lloyd.
lloyd
Please?
corey
That’s just so embarrassing.
lloyd
Please?
corey
Alright. Alright, Okay, here.
They walk to a suitable point.
lloyd
Wait for me for when I get round to the front. (?)
corey
Okay, I got it.
jim
Your graduation present is parked right over there.
He points to a red car parked close by.
diane
Are you kidding, that?
Diane points to the car just as Lloyd gets behind her. Corey takes the photo, and Lloyd moves away quickly.
INT. LLOYD’S HOUSE
Lloyd’s sister CONSTANCE walks through the door with her son JASON.
constance
Lloyd?
lloyd
Hey, sis.
constance
I’m sorry. Sam had to do a new crown, we had [?], and Jason had a sore throat. Your big graduation, and no one was there.
Lloyd is making himself some ‘food’.
lloyd
It’s no problem. I called Mom and Dad in Germany; it’s like they were there.
constance
I hope you understand.
lloyd
Hey, bad throat, huh J-man?
jason
Yeah.
lloyd
Yeah, you gotta go ‘YEAH’, strength. Poor little man.
Lloyd turns the volume on the stereo
constance
Why do you eat that stuff? There’s no food in your food. Not too loud, the red line’s there for a reason.
lloyd
How do you know how to draw the red line anyway?
constance
Because it’s loud enough so the neighbors don’t complain, that’s how come I know.
lloyd
Good thing there’s not a red line on you, J-man. YEAH!
jason
YEAH!
lloyd
He’s back. Hey my brother, can I borrow a copy of your ‘Hey Soul Classics’?
jason
No my brother, you have to go buy your own.
lloyd
Hook up the jab, hook up the jab.(?)
constance
Why can’t you be his uncle and not his playmate?
lloyd
Jesus Christ. I get in a good mood. How hard is it just to decide to be in a good mood, and then be in a good mood?
constance
Gee, it’s easy.
lloyd
Look, I’m really sorry that Mom and Dad made you take me in. Really. If it’s such a big deal, I’ll go. But remember this, it used to be fun. It used to be warped, twisted and hilarious, and I mean that in the best possible way, I mean it as a compliment. I mean, I’m sorry T-I-M left you. But I am not T-I-M.
constance
I was hilarious once, wasn’t I?
lloyd
Yeah.
constance
I still am.
INT. DIANE’S HOUSE - DAY
diane
Dad, you have to teach me to suture this weekend.
jim
Okay, I promise I will. Just come here a minute, I want to show you something.
She walks over to him. He is getting something out of a wooden box.
diane
What are you doing?
jim
Well, since I’m not only your father, I’m also your friend; I had to get you two presents.
He hands her a jewellery box.
diane
God, that’s... this is ridiculous.
jim
Now this is the only thing your mother ever gave me that I kept. Now it’s yours. Go ahead, open it.
diane
Oh god, I don’t need all these presents. I don’t know any kid who got a car, I mean...
She opens the box.
Oh god! Wow, it’s beautiful.
She slips the ring onto her finger.
jim
They really applauded you today honey.
diane
I was standing up there and looking at all the people, and I felt like they didn’t know me. I mean, maybe I shouldn’t have taken all those courses out of school, because everybody thinks I... forget it.
jim
No, wait a minute. Everybody thinks you’re what?
diane
Everybody thinks I’m a priss.(?)
jim
Diane, in a million years, you could never be a... priss. It’s all working out for you honey, don’t you see? It’s all working out, just like we planned. All the years of summer school, all the vacations you gave up, it’s all working out just the way we planned...
diane
Stop it, stop it, stop it.
jim
I’m sorry.
diane
I love you dad.
jim
I love you too honey.
EXT. LLOYD’S HOUSE – DAY
Lloyd is punching and kicking his punching bag on the front porch of his house, in full kickboxing gear. Jason is watching and imitating him. Lloyd holds the bag still for Jason to kick. His foot just reaches the bottom of the bag. They walk into the house.
jason
Yah! Yah! Yah!
constance
You’re headed for day-care, buddy.
lloyd
You’re tough, J-man.
constance
He’s a mess!
Lloyd picks up the telephone and walks away with it.
lloyd
I’ll be in my office.
constance
I just washed this shirt, didn’t I?
Lloyd puts the phone down in the bathroom and closes the door.
jason
Yeah!
constance
Please, not in my ear. Not in my ear.
Lloyd dials a telephone number, hesitating slightly before the last digit.
jim
Jim Court?
lloyd
Hello. May I please speak with Diane please?
INT. DIANE’S HOUSE - DAY
jim
Sorry, Diane isn’t here at the moment.
INT. LLOYD’S HOUSE - DAY
lloyd
Uh... okay... um...
jim
Is this the guy with the Mustang?
lloyd
No.
INT. DIANE’S HOUSE - DAY
jim
The guy with the Datsun?
INT. LLOYD’S HOUSE - DAY
lloyd
No.
INT. DIANE’S HOUSE - DAY
jim
The truck?
INT. LLOYD’S HOUSE - DAY
lloyd
Uh, no, not really, no actually, basically, you don’t know me. I’m a friend of your daughters; well I sat with her yesterday at the mall.
INT. DIANE’S HOUSE - DAY
I drive a blue Chevy Malibu. I don’t know,
INT. LLOYD’S HOUSE - DAY
I guess I’m pretty bad at this, but what I wanted to do is... could I please...
jim
Why don’t I just get your phone number, that’s usually how it works.
lloyd
Oh. Okay then... Lloyd Dobler, 555-1342.
INT. DIANE’S HOUSE - DAY
555-1342. 555-1342.
jim
Okay, I’ll give here the message.
INT. LLOYD’S HOUSE - DAY
lloyd
Okay. She’s really pretty great, isn’t she?
jim
What?
lloyd
She’s really pretty great, isn’t she?
INT. DIANE’S HOUSE - DAY
jim
Yeah, she is. Good luck.
INT. LLOYD’S HOUSE - DAY
lloyd
Okay. Good afternoon. Goodbye.
INT. DIANE’S HOUSE - DAY
jim
Jim Court... no, this is her father. I’ll take...
He reaches for the notepad.
What?... No, I didn’t get the letter... yes... yes, right away... yes, thank-you, goodbye.
EXT. SEATTLE – DAY
Jim is driving to the ‘Golden Seasons’ nursing home, which he is in charge of. He runs up the front steps.
INT. NURSING HOME - DAY
Mr Taylor, you are a vision in green! Here, let me mail this for you. You can trust a man who writes a letter everyday.
He takes the letter from him, and walks over to the front desk.
Is Diane here? I gotta talk to her.
secretary
She’s upstairs, Mr Court.
INT. NURING HOME KITCHEN - DAY
jim
I gotta tell you this carefully. [?], Ben, could you do me a favor, just a couple of minutes? Great, won’t be long, thanks.
He shuts all of the doors.
diane
What?
jim
I just had a phone call.
diane
Tell me, is it bad news?
Jim
No, no, just listen. You won the Wreath (?) fellowship.
diane
Are you kidding? You’re not kidding? You’re not kidding!
Jim
You won it. You’re going to study at the finest institute at England, the toughest fellowship in the country, and you won.
diane
I won?
jim
You’re going to take a big step, a big leap, and before you do, I just want one thing from you, miss. You stand up straight and admit you’re special.
Diane sinks to the floor.
diane
God, I’ll have to go on a plane.
jim
We’ll worry about that later. Now come on, tell me that you’re special.
He helps her up.
diane
Don’t do this to me. You’re too good at making me nervous.
jim
No, listen to me. You’re the best in the country, don’t you understand? It’s like a pyramid. It starts out with everybody, and it narrows through your life and through everything, and all the hoopla and the competition narrows it down to one brilliant person who is so special that they celebrate you on two continents. And it’s you. So tell me something, where’s the flaw in that? There is no flaw.
They hug each other.
INT. DIANE’S HOUSE – DAY
Diane looks at the messages that her father’s taken for her while she was out.
INT. LLOYD’S HOUSE – DAY
Constance is on the phone.
constance
Hello? Yeah, just a second, Corey. Oh, sorry. Diane Court?
Lloyd drops everything and rushes over to the phone. Constance runs to the bathroom.
Lloyd
No, no, don’t go in there.
constance
Forget it, forget it, it’s mine, it’s mine!
The door slams.
Too bad!
Jason is standing in the doorway. Lloyd sees him there.
lloyd
No noise, no sound, no movement, nothing! Hello, Diane?
INT. DIANE’S HOUSE - DAY
diane
Hi. You called me?
INT. LLOYD’S HOUSE - DAY
lloyd
Yeah. I read about your fellowship in the paper, and I’m very glad you called me back.
diane
Yeah?
lloyd
Yeah. I just wanted to congratulate you on your scholarship to England, and I wanted to tell you that I thought your speech was really incredible.
INT. DIANE’S HOUSE - DAY
diane
Thank you very much.
INT. LLOYD’S HOUSE - DAY
lloyd
Whoah, what a day, huh?
diane
Yeah. What a day.
lloyd
Yeah.
INT. DIANE’S HOUSE - DAY
diane
Yeah.
INT. LLOYD’S HOUSE - DAY
lloyd
Quick question - do you know who I am?
diane
Yes, we sat together at Bell’s Square.
LLoyd
Yeah, yeah, yeah. You remember?
INT. DIANE’S HOUSE - DAY
Diane
No, I read it on the message.
INT. LLOYD’S HOUSE - DAY
lloyd
Okay, um, so it’s Lloyd and... uh... uh... let’s go out. Do you wanna go out?
INT. DIANE’S HOUSE - DAY
diane
Oh, thanks, but I’m busy.
INT. LLOYD’S HOUSE - DAY
Lloyd
Busy?
diane
Yes. Things are pretty hectic right now, but thanks.
lloyd
Are you busy on Friday?
INT. DIANE’S HOUSE - DAY
diane
Yeah, I have to help my father.
INT. LLOYD’S HOUSE - DAY
lloyd
Are you busy on Saturday?
INT. DIANE’S HOUSE - DAY
diane
Saturday, I have some things to do around the house.
INT. LLOYD’S HOUSE - DAY
lloyd
So you’re monumentally busy?
INT. DIANE’S HOUSE - DAY
diane
Well, not monumentally.
INT. LLOYD’S HOUSE - DAY
lloyd
What about tonight then, are you going to that party at Valhere’s?
diane
Hmmm....
lloyd
Look Diane, I’m sorry, but I can’t allow you to leave the country without going to Valhere’s graduation party. This gentleman, he’s twenty-two, and he comes out of hiding once a year for this occasion, and he dresses up as the Lakeside rooster, and he,
INT. DIANE’S HOUSE - DAY
And he makes this drink called the ‘Purple Passion’.
Diane
Actually, I think that I...
INT. LLOYD’S HOUSE - DAY
lloyd
Y’know, you’re not in England yet, you know that of course, and by the way, I want to just tell you that I lived in England for a few months,
INT. DIANE’S HOUSE - DAY
And my parents are in the army you know, so they live in England and Germany, and
INT. LLOYD’S HOUSE - DAY
I could give you an enormous amount of tips. Many tips. English tips.
INT. DIANE’S HOUSE - DAY
diane
Well...
INT. LLOYD’S HOUSE - DAY
lloyd
No tips. I won’t give you any tips of any kind.
INT. DIANE’S HOUSE - DAY
diane
I’ll go.
INT. LLOYD’S HOUSE - DAY
lloyd
Pardon me?
INT. DIANE’S HOUSE - DAY
diane
I’ll go.
INT. LLOYD’S HOUSE - DAY
lloyd
You will? Excellent, alright, this is great. You will, really?
INT. DIANE’S HOUSE - DAY
diane
I’ll go.
INT. LLOYD’S HOUSE - DAY
lloyd
Alright. This is really great. Alright, we’re going out. It’s a date. It’s a scam. Whatever, whatever, alright, I’ll pick you up at what, eight O’ clock?
INT. DIANE’S HOUSE - DAY
diane
Eight.
INT. LLOYD’S HOUSE - DAY
lloyd
Eight. Eight O’ clock.
INT. DIANE’S HOUSE - DAY
Diane
Goodbye.
INT. LLOYD’S HOUSE - DAY
lloyd
Goodbye.
INT. DIANE’S HOUSE – DAY
Diane picks up her yearbook, looking for Lloyd. When she finds his entry, she looks slightly ill at ease.
INT. LLOYD’S HOUSE – DAY
lloyd
Thanks, little man.
He picks Jason up and strums him like a guitar, then he holds him next to his punching bag.
Now, work that bag, work that bag J-man. Left hook, right hook, hook up the jab (?), straighten left hand. What do we love?
jason
PAIN!
lloyd
Work that jab, work that hook, work that jab, okay, take a break, take a break.
INT. DIANE’S HOUSE – NIGHT
Lloyd walks up the drive and knocks on the front door.
Jim
Be right there.
He opens the door for Lloyd.
lloyd
Hi. Lloyd Dobler, sir. Pleasure to meet you.
jim
Hello Lloyd.
lloyd
Hello. Heard about that graduation present. Really quite a car. Look, I know you’re busy, you don’t’ have to retain me, but you can trust me. I’ll tell you a couple of things about myself, I’m nineteen, been overseas for a couple of semesters, but now I’m back. I’m an athlete, so I rarely drink. Kickboxing. You heard of kickboxing, sport of the future? Don ‘The Dragon’ Wilson, Lenny [?] merciless, one of the champions of the sport? I can see by your face, no. My point is, you can relax because your daughter will be safe with me for the next seven to eight hours.
jim
Fine Lloyd.
lloyd
How ya doing? Is she around?
jim
Yeah. Honey?
Diane appears in a white dress, and walks towards them.
lloyd
Whoa.
diane
Would you hold this for me?
lloyd
Yeah
They leave. Jim looks after them, also looking ill at ease with Diane’s choice of date.
INT. LLOYD’S CAR – NIGHT
DIANE
What are these?
lloyd
They’re Bavarian Death style (???) pretzels.
diane
Oh. Um, would it be terrible if I wanted to go home early?
Lloyd
No.
Lloyd turns the key in the ignition. Music starts, which he quickly stops, trying not to make a bad impression.
INT. VALHERE’S HOUSE – NIGHT
Lloyd and Diane walk through the front door. The party has already started.
girl at party
Oh my god! Hi Lloyd.
lloyd
You okay? You want a drink?
Various other people greet Lloyd as he walks through the house with Diane to the back yard, many expressing surprise at his date. In the backyard, VALHERE is standing behind a fountain of ‘purple passion’- his drink.
valhere
It’s gotta stay purple. All night. Hey Lloyd, how ya doin’?
lloyd
You know Diane Court?
valhere
Wow, man. Well. Listen man, I need you to be the keymaster.
Valhere hands Lloyd a bag.
lloyd
Oh, I was just going to...
valhere
A very responsible young man you’re out with tonight.
lloyd
I was gonna...
valhere
Thanks a lot Lloyd.
lloyd
I was just going to kind of move around.
Valhere walks away.
Thanks.
diane
Keymaster?
lloyd
Yeah, I have to judge who can drive home and who can’t. I have to keep their keys.
diane
So it’s an honor?
lloyd
No.
MARK rushes up to Lloyd, pinning him against the wall.
mark
We finally graduated, big dude guy!
lloyd
Alright!
SHEILA moves up to talk to Diane.
sheila
I’m so glad you came to this.
mark
Here are my keys!
Mark ‘hi-fives’ Lloyd.
lloyd
Ow! I wish you had done that without the keys in your hand, brother.
sheila
Come with me, there are so many cute guys here, c’mon.
lloyd
Let go of me!
mark
I love you man
lloyd
I love you too.
Mark leaves, as MIKE CAMERON approaches.
mike
Oh boy.
lloyd
Hey.
mike
Mike Cameron, how you doing?
lloyd
What?
mike
Mike Cameron. This is one fresh jam, huh?
Lloyd
Yeah.
mike
Yeah, hey, oh god. Listen, I wanted to... I don’t know you very well, you know, but I wanted to ask you, how did you get Diane Court to go out with you?
lloyd
I called her up.
mike
Yeah, but how come it worked? I mean like, what are you?
lloyd
I’m Lloyd Dobler.
mike
This is great, this gives me hope. Thanks.
lloyd
Alright. Key?
INT. VALHERE’S HOUSE – NIGHT
Corey has her guitar. DC and REBECCA are sitting next to her.
corey
I wrote sixty-three songs this year. They’re all about Joe, and I’m going to play every single one of them tonight.
Rebecca
I just saw Joe. He’s here.
corey
Well, you don’t have to be so dramatic about it.
dc
You did try and kill yourself because of the guy.
rebecca
What was it like after it happened? I’ve always wanted to know.
dc
She explained it all on ‘Wake Up Seattle’. Where were you?
corey
Stop! I am fine now, I am alright. All everybody does is ask me about it and I am fine... did Joe come with Mimi tonight?
Rebecca nods.
EXT. VALHERE’S HOUSE – NIGHT
LLOYD
Keys? Keys?
guy
Alright, keymaster.
lloyd
Right... hey, how ya doin’?
A car pulls up the driveway.
miss evans
Lloyd. Lloyd Dobler, I’ve got you.
lloyd
How ya doin’ Miss Evans?
miss evans
You missed every one of your career counselling sessions. Call me obsessive, compulsive, but let’s do this right now.
lloyd
No way.
miss evans
Lloyd.
lloyd
What?
Walking past, a girl and a guy are fighting, distracting Lloyd’s attention from Miss Evans.
girl
Get away from me!
guy
What did I do?
girl
Don’t even follow me. Leave me alone.
miss evans
Don’t make this like a counsel(?), Lloyd. I got statistics I can show you, I got graphs I can show you. That’s all the stuff I can show you, it all says the same thing. You have to decide on a career.
lloyd
My dad’s a lieutenant colonel in the army, he wants me to join, he wants to pull some strings. I mean, there’s no possible way.
Miss evans
We’ll just make an appointment for you at Seattle Junior College.
girl
Are you the keymaster?
lloyd
Yep. I’m not going to go to Seattle Junior College. I mean, I’ve gotta be honest with you, I’m not looking for that, I’m looking for something bigger, you know? I’m looking for a dare to be great situation.
miss evans
Lloyd, everybody in that party put something down on their record except you.
lloyd
How many people really know what they want though? I mean, a lot of them think that they have to know, right? But inside, they don’t really know, so, I don’t know. But I know that I don’t know.
miss evans
Hang tough, Lloyd.
EXT. VALHERE’S HOUSE – NIGHT
sheila
I know we were ‘all too competitive’ this year, but I just want to say that if it hadn’t been for ‘Diane Court [?]’, I probably wouldn’t have gotten into Cornell, because you made me study twice as hard. So thanks.
diane
You did the same for me.
sheila
I did? Did you really come here with Lloyd Dobler? How did that happen?
diane
He made me laugh.
Diane looks over and sees Lloyd, who then walks away.
INT. VALHERE’S HOUSE – NIGHT
Diane is on the phone to her dad.
diane
Yes... he’s okay dad... you’re welcome. I always call you, you know that... alright ... stop being so grateful... alright, I’ll be home before dawn, okay? Bye.
Diane walks over to two girls who have been standing in the doorway watching her.
Oh, would you guys sign my yearbook?
girl 1
Sure. Would you sign mine?
diane
Yeah.
girl 2
Did you really have to call your dad?
girl 1
God, how nightmarish.
diane
I promised.
girl 2
Is he going to wait up?
Girl 1
Tell him nothing.
girl 2
Nothing.
girl 1
I make sure I enter the house crying. He leaves me alone.
girl 2
I loved in your speech, when you said you were scared?
guy
Lloyd Dobler, alright.
INT. VALHERE’S HOUSE – NIGHT
Diane is walking around, she sees Lloyd, and walks away.
Corey is playing her songs, Lloyd is watching.
corey
"He likes girls
With names like Ashley
And Kathleen"
Joe walks up behind Lloyd, with MIMI. Corey sees him, and stands up, looking at him.
mimi
I’ll be in the kitchen, Joe.
Mimi leaves; Corey sits down and starts another song.
corey
"That’ll never be me,
That’ll never be me,
That’ll never be, never be me, no.
That’ll never be me,
That’ll never be me,
That’ll never be, never be me, no.
Corey continues her song as Joe walks towards her. Lloyd stops him.
lloyd
Joe. Joe. She’s written sixty-five songs. They’re all about you. They’re all about pain.
joe
So what’s up?
lloyd
Stop freaking with her head man. Just stop playing with her mind, you know? She’s a human being. She’s a person. She’s very talented, you know.
joe
Dude, why do you think I keep her tapes? They’re going to be valuable some day.
Corey finishes her song.
No. Never. No, never, ever, ever. Don’t you ever think it!
INT. VALHERE’S BATHROOM – NIGHT
Mike has a drink in each hand, and looks in the mirror.
mike
Oh my god.
A new tape is put on the stereo.
EXT. VALHERE’S HOUSE – NIGHT
Diane and Corey are talking in front of the fountain.
corey
I mean, Joe was my first love, he was my first sex, and the whole time he was going out with Mimi. He’ll never break up with her. If I see him, it’s "Hi Joe, how are you?", and that is it. I’ll be okay.
diane
Don’t’ worry. He’s at the other end of the house.
corey
It’s too bad more guys can’t be like Lloyd.
diane
He checks up on me, look.
We see Lloyd in the crowd, looking at Diane and Corey.
COREY
I got some more songs to do.
INT. VALHERE’S HOUSE – NIGHT
Corey is on the sofa again.
"Joe lies, Joe lies,
Joe lies, when he cries
When he cries."
EXT. VALHERE’S HOUSE – NIGHT
Lloyd, seeing Diane alone, goes over to talk to her.
LLOYD
So we can finally talk?
diane
Yeah.
Valhere comes out to the center of the garden dressed as the Lakeside rooster, shouting into a megaphone.
valhere
‘Lakeside, Lakeside have no fear (?),
How about another year?’
All of the partiers start to tear feathers off the costume.
Diane
He does this every year?
lloyd
It’s the worst job since keymaster.
Lloyd runs up to the crowd and jumps on Valhere.
INT. VALHERE’S HOUSE – NIGHT
Corey is getting some drinks out of the fridge, when Joe walks in.
corey
Hi Joe, how are you? I love you.
joe
I love you too.
corey
You invade my soul.
joe
I want to get back together. Mimi’s going to go to college, and I’m going to be alone, but I’m going to break up with her before she leaves.
They hug.
Have sex with me.
corey
No. Goodbye Joe.
Corey walks away.
EXT. VALHERE’S HOUSE
Most of the people have left, or are leaving.
valhere
You know, every year I throw this party, every year nobody helps me clear up. Why am I yelling?
lloyd
I don’t know.
valhere
I don’t know. Good on you man. Alright Lloyd.
lloyd
Maybe we’ll come by tomorrow, help you clear up or something.
valhere
Diane, everybody loves that you showed up.
diane
You’re a great rooster. Sign this?
She hands him her yearbook
valhere
Okay.
Corey comes up to them and puts her guitar on the ground.
corey
So I’m single now, everything’s changed. I hate it.
Mark runs up and jumps on Lloyd, knocking him to the ground.
Mark
Give me my firebird keys!
lloyd
You must chill! You must chill! I have hidden your keys. CHILL!
Mark
I love you man.
lloyd
Alright, I love you too. Go to sleep.
mark
We’re full on bonded.
lloyd
Yeah, alright.
Mark falls over.
corey
You are such a great person Lloyd. I’m a good person, but you are a great person.
lloyd
Hang in there, man.
corey
Yes.
lloyd
See you tomorrow.
corey
See you. Bye. Bye Diane.
diane
Bye bye.
valhere
Hey, drive safe.
He gives Diane her yearbook back.
diane
Thank-you.
lloyd
I hereby surrender my duties as keymaster, give me a beer.
valhere
Certainly.
lloyd
I am happy to say that this bag is officially empty.
He turns the bag upside down, a set of keys fall out.
diane
Uh-oh.
valhere
The back bathroom. Let’s go.
INT. VALHERE’S HOUSE – NIGHT
Valhere, Diane and Lloyd cautiously open the bathroom door.
lloyd
Oh, look at this gentleman here.
Mike is on the floor, next to the toilet.
mike
I gotta get home, gotta go home.
INT. LLOYD’S CAR – NIGHT
Lloyd and Diane are on the front seats; Mike is in the back.
mike
Ooop, excuse me.
lloyd
How you doin’, brother?
mike
I don’t really know where we are.
radio dj
I’m about to play you three hours of commercial free rock and roll as the soundtrack to this magical might.
EXT. SEATTLE – NIGHT
Lloyd’s car is driving around.
lloyd
Recognise anything yet? Anything?
INT. LLOYD’S CAR – DAY
radio Dj
Lord have mercy. Three hours of commercial free rock and roll. Good morning...
mike
Hey, that’s it, that’s my house. I live there.
EXT. MIKE’S HOUSE – DAY
Lloyd’s car pulls up sharply outside.
lloyd
Have a good sleep.
diane
Bye.
mike
Thanks a lot. You guys are the best. Give me a call or...
Lloyd’s car speeds away.
INT. LLOYD’S CAR – DAY
LLOYD
Uh, did you... so what did they write in your book, what did they write to Diane Court?
Diane opens her yearbook.
diane
Alright, this is some of the things they wrote me; "Glad I finally met you", "You always seemed nice", "Wish I could have known you more"...
Lloyd
Mine say stuff like "Lloyd, see you around maybe"
diane
Nobody knew me before tonight.
lloyd
They knew of you. Now they know you.
diane
Yeah, but I feel like I fit in for the first time, you know? Like I just held them far away from me, and they did the same to me.
Lloyd
That’s cool then.
diane
Yeah. I’m so glad we did this.
EXT. SEVEN-ELEVEN – DAY
We can walk from here.
lloyd
It’s just you and your dad, right?
diane
Yeah, but that’s an old story, you don’t want to hear it.
lloyd
Sure I do.
diane
Well, my parents split up when I was thirteen, and... god, I actually had to... I went into court and I had to choose between the two of them. So I chose my dad. It just felt safer that way, you know?
lloyd
Watch out for that glass.
Lloyd points at some broken glass in front of them, sweeps it aside with his foot, and helps Diane around it.
diane
Thanks. But either way it still feels...
Lloyd
Twisted?
EXT. DIANE’S STREET – DAY
DIANE
You know what?
lloyd
What?
diane
You’re a great date. I’ve never really gone out with someone as basic as you.
Lloyd
Basic. Hmmm.
diane
So what’s your job this summer?
lloyd
Job? Being a great date.
Diane
No, I’m serious.
lloyd
So am I. I want to see you again. I want to see you as much as I can before you leave. I said it.
diane
I only have something like sixteen weeks.
Lloyd
Sixteen weeks is a long time.
diane
Then call me tomorrow.
lloyd
Today is tomorrow.
diane
Then call me later.
They stop outside Diane’s house. Diane runs up to Lloyd and hugs him.
Lloyd
Oh. I’ll call you later.
INT. DIANE’S HOUSE – DAY
Diane walks through the front door. Her dad is waiting for her.
jim
Morning honey.
diane
Dad, I’m so glad I went. Goodnight.
jim
Wait a minute. How was Lloyd?
diane
Lloyd was such a gentleman. He was funny and nervous and strange, and I met people that I never would have met before, then I blew it. I called him basic. Can you believe I did that?
jim
Well, I don’t think he’s really been embarrassed by it.
They walk to the window. Lloyd is celebrating in the street, ecstatically.
diane
Goodnight.
jim
Goodnight.
INT. COREY’S ROOM – DAY
Corey, DC and Rebecca are sitting talking.
corey
Lloyd is doomed.
dc
Meaning?
corey
Meaning that she made the second date a family audition, which is the kiss of death for Lloyd.
Rebecca
Why?
corey
It’s too much pressure, it’s not his crowd.
rebecca
What is wrong with this girl?
dc
I told him to be himself.
corey
He’s got that nervous talking thing. I told him not to speak.
rebecca
Hey, I know this is a strange thing to say, but maybe Diane Court really likes Lloyd.
corey
If you were Diane Court, would you honestly fall for Lloyd?
She looks around the room. Everyone is thinking about it.
Yeah.
DC
Yeah.
rebecca
Yeah.
INT. DIANE’S HOUSE – DAY
Lloyd and Diane are in Diane’s bedroom. Lloyd is dressed for the evening.
Diane
You think I should wear this dress?
She holds a dress around the door.
lloyd
Yeah.
diane
Or, or I could always wear this one.
She holds a different dress around the door.
Lloyd
That’s nice.
Lloyd picks up a model of a brain from Diane’s shelves, sniffs it and puts it back.
diane
Oh, um, I forgot to tell you who’ll be at the dinner tonight. Uh, my dad’s accountant, um, and two women who work in his nursing home. I know you don’t know them, but it’ll be fun.
Lloyd picks up a three-inch dictionary.
lloyd
Boy, this is a mother dictionary.
diane
Yeah, I’ve had it forever. I used to have this thing with marking the words that I looked up.
Lloyd flicks through the pages of the dictionary. Nearly every word has a cross next to it. Diane holds another dress around the door.
How about this one?
lloyd
Nice one.
diane
Yeah?
lloyd
I think you should wear that.
diane
You think so?
lloyd
Mmmm.
The doorbell rings.
I’d better get downstairs, huh?
diane
Yeah, I gotta change.
C.U. JUKE BOX, playing jazz.
INT. DIANE’S HOUSE – NIGHT
Lloyd, Diane, Jim, Jim’s accountant and two women are sat around the table.
ACCOUNTANT
Great meal, you two.
Woman
You just look beautiful, Diane.
diane
Thank-you.
jim
Same eyes, same nose, same mouth... [?]
accountant
So, what airline do they send you over to England on?
diane
Charter.
jim
She’s not the world’s greatest flyer, let me tell you. When she was eight years old, she...
diane
Dad.
jim
Now why can’t I tell the story?
Woman
What story?
diane
If you’re gonna tell it, let me tell it.
jim
Well, let me start it. I’m flying down to Los Angeles on business, and I decide to take her on her first aeroplane.
diane
I knew how planes flew, but I was still a little nervous.
jim
Crash paranoia.
lloyd
Oh.
diane
I had a checklist in mind. I thought that if babies were on the plane, the plane couldn’t crash. But all the babies were crying, and I thought they knew something I didn’t.
jim
So anyway, they closed the doors, and she starts to scream. I’ve never in my life heard anyone scream quite like that.
diane
And then you got up and you told them to turn the