Transcribed by Judith Allen

 

CREDITS ROLL

 

COREY

I don’t feel anything.

dc

Come on, it’s graduation.

corey

Did you see what Mr Carroll wrote in my yearbook? Well, he ridiculed me all year long, and then he writes, "You’re a real live-wire, Love Mr Carroll." Y’know, it’s all so phoney.

EXT. SEATTLE - DAY

dc

He wants to leave things on a good note.

corey

Well, where Mr Carroll uses the word ‘love’, I look for a new word.

INT. COREY’S ROOM – DAY

LLOYD DOBLER, COREY FLOOD AND DC are talking together.

dc

Lloyd, she’s being difficult.

lloyd

I’m going to take out Diane Court again.

corey

That’s unlikely.

lloyd

The movies are a good second date, you know, as a date?

corey

But you never had a first date.

lloyd

Yes I did- I sat across from her in a mall. We ate together. We ate, that’s eating, sharing an important physical event.

corey

That’s not even a scam.

lloyd

What’s a scam?

corey

Going out as friends.

dc

No it’s not. A scam is lusting.

lloyd & corey

Then, what’s a date?

dc

A date is pre-arrangement, with the possibility for love.

corey

Then what’s love?

lloyd

I’m gonna call her.

corey

Diane Court doesn’t go out with guys like you. She’s a brain.

dc

Trapped in the body of a gameshow hostess.

corey

Diane Court does not realise how good-looking she is.

lloyd

Sounds great to me, I’m going to call her, that’s what’s cool about her.

corey

Brains stay with brains. The bomb could go off and their mutant genes would form the same cliques.

dc

I wouldn’t get my hopes up Lloyd.

corey

I’m sorry. It’s just you’re a really nice guy, and we don’t want to see you get hurt.

lloyd

I wanna get hurt!

EXT. SEATTLE HIGHWAY – DAY

There are a lot of cars going towards the city.

INT. JIM’S CAR – DAY

JIM COURT is driving his daughter DIANE COURT to her graduation.

diane

Well, it’s almost over. We’ve gone to school together for three years... I might cut that part out.

jim

Why? It’s fine. It’s nice.

EXT. SEATTLE – DAY

Lloyd is on his way to the graduation. He takes a timed photo of himself with his camera.

INT. JIM’S CAR – DAY

Diane sees a group of statues dressed in the gowns and mortarboards of her school, with balloons tied to them.

INT. LLOYD’S CAR – DAY

Lloyd is playing music on his car stereo. The tape goes funny, and he jams a piece of folded-up cardboard under the tape to hold it in place.

INT. JIM’S CAR - DAY

diane

Having taken a few courses at the university this year, I have glimpsed our future, and all I can say is... go back.

jim

Ha! Go back! What a great line!

diane

You like it?

jim

Oh yeah!

diane

I didn’t think anyone would get it.

jim

Oh no, no, it’s... it’s wonderful. It’s... no, don’t worry about it. You’re very funny. Go back, that’s great!

diane

Alright, no more, I’m going to save it.

jim

Okay.

EXT. HIGH SCHOOL – DAY

It is graduation, and JOE is singing on the stage in front of everyone. The students start to clap and sway to the ‘music’.

joe

I love you guys! Party at Valhere’s, going to be great. Be there.

principal

Thank-you Joe.

He silences the audience.

Thank you. Thank-you Joe. Now it’s time. I just can’t introduce this person without saying ‘History, Oceanography, Creative Writing, Biochemistry’. I think you know who I’m talking about. We’re going to remember this student who said "Hey world, check me out." Giving a speech entitled ‘Soaring Ahead’, Miss Diane Court.

Diane stands up, and takes her place at the lectern.

diane

Thank-you. The real world.

lloyd

Look at those eyes.

Lloyd is listening intently. During the speech, we see the faces of many parents and students.

diane

We’re all about to enter ‘The Real World’. That’s what everybody says. But most of us have been in the real world for a long time. But I have something to tell everybody. I’ve glimpsed our future, and all I can say is... ‘Go Back’.

There is silence from the crowd.

jim

Ha!

diane

Well, it’s almost over. We’ve gone to school together for three years, and we’ve been through a lot. But with that training out of High School gone, what’s going to happen to us? We all know what the answers are. We want to be happy, go to college, own a car, maybe raise a family. But what if that doesn’t happen? I have, I have to be honest though, I have all the hope and ambition in the world. But when I think about the future, the truth is, I am really...scared.

EXT. SCHOOL, WOODED AREA – DAY

Lloyd is taking a photo of Corey, DC and MRS FLOOD.

lloyd

Alright, get up on it. Yeah, alright.

He takes the photo and hands the camera to Corey.

mrs flood

See you at home.

corey

Alright.

mrs flood

Now do yourself and everyone who loves you a favor, and don’t talk to Joe.

corey

Mum! Mum!

lloyd

Look at those eyes.

corey

Lloyd, give it up.

lloyd

Do me a favor; take a picture of me with her.

corey

Lloyd.

lloyd

C’mon, just do it.

corey

C’mon Lloyd.

lloyd

Please?

corey

That’s just so embarrassing.

lloyd

Please?

corey

Alright. Alright, Okay, here.

They walk to a suitable point.

lloyd

Wait for me for when I get round to the front. (?)

corey

Okay, I got it.

jim

Your graduation present is parked right over there.

He points to a red car parked close by.

diane

Are you kidding, that?

Diane points to the car just as Lloyd gets behind her. Corey takes the photo, and Lloyd moves away quickly.

INT. LLOYD’S HOUSE

Lloyd’s sister CONSTANCE walks through the door with her son JASON.

constance

Lloyd?

lloyd

Hey, sis.

constance

I’m sorry. Sam had to do a new crown, we had [?], and Jason had a sore throat. Your big graduation, and no one was there.

Lloyd is making himself some ‘food’.

lloyd

It’s no problem. I called Mom and Dad in Germany; it’s like they were there.

constance

I hope you understand.

lloyd

Hey, bad throat, huh J-man?

jason

Yeah.

lloyd

Yeah, you gotta go ‘YEAH’, strength. Poor little man.

Lloyd turns the volume on the stereo

constance

Why do you eat that stuff? There’s no food in your food. Not too loud, the red line’s there for a reason.

lloyd

How do you know how to draw the red line anyway?

constance

Because it’s loud enough so the neighbors don’t complain, that’s how come I know.

lloyd

Good thing there’s not a red line on you, J-man. YEAH!

jason

YEAH!

lloyd

He’s back. Hey my brother, can I borrow a copy of your ‘Hey Soul Classics’?

jason

No my brother, you have to go buy your own.

lloyd

Hook up the jab, hook up the jab.(?)

constance

Why can’t you be his uncle and not his playmate?

lloyd

Jesus Christ. I get in a good mood. How hard is it just to decide to be in a good mood, and then be in a good mood?

constance

Gee, it’s easy.

lloyd

Look, I’m really sorry that Mom and Dad made you take me in. Really. If it’s such a big deal, I’ll go. But remember this, it used to be fun. It used to be warped, twisted and hilarious, and I mean that in the best possible way, I mean it as a compliment. I mean, I’m sorry T-I-M left you. But I am not T-I-M.

constance

I was hilarious once, wasn’t I?

lloyd

Yeah.

constance

I still am.

INT. DIANE’S HOUSE - DAY

diane

Dad, you have to teach me to suture this weekend.

jim

Okay, I promise I will. Just come here a minute, I want to show you something.

She walks over to him. He is getting something out of a wooden box.

diane

What are you doing?

jim

Well, since I’m not only your father, I’m also your friend; I had to get you two presents.

He hands her a jewellery box.

diane

God, that’s... this is ridiculous.

jim

Now this is the only thing your mother ever gave me that I kept. Now it’s yours. Go ahead, open it.

diane

Oh god, I don’t need all these presents. I don’t know any kid who got a car, I mean...

She opens the box.

Oh god! Wow, it’s beautiful.

She slips the ring onto her finger.

jim

They really applauded you today honey.

diane

I was standing up there and looking at all the people, and I felt like they didn’t know me. I mean, maybe I shouldn’t have taken all those courses out of school, because everybody thinks I... forget it.

jim

No, wait a minute. Everybody thinks you’re what?

diane

Everybody thinks I’m a priss.(?)

jim

Diane, in a million years, you could never be a... priss. It’s all working out for you honey, don’t you see? It’s all working out, just like we planned. All the years of summer school, all the vacations you gave up, it’s all working out just the way we planned...

diane

Stop it, stop it, stop it.

jim

I’m sorry.

diane

I love you dad.

jim

I love you too honey.

EXT. LLOYD’S HOUSE – DAY

Lloyd is punching and kicking his punching bag on the front porch of his house, in full kickboxing gear. Jason is watching and imitating him. Lloyd holds the bag still for Jason to kick. His foot just reaches the bottom of the bag. They walk into the house.

jason

Yah! Yah! Yah!

constance

You’re headed for day-care, buddy.

lloyd

You’re tough, J-man.

constance

He’s a mess!

Lloyd picks up the telephone and walks away with it.

lloyd

I’ll be in my office.

constance

I just washed this shirt, didn’t I?

Lloyd puts the phone down in the bathroom and closes the door.

jason

Yeah!

constance

Please, not in my ear. Not in my ear.

Lloyd dials a telephone number, hesitating slightly before the last digit.

jim

Jim Court?

lloyd

Hello. May I please speak with Diane please?

INT. DIANE’S HOUSE - DAY

jim

Sorry, Diane isn’t here at the moment.

INT. LLOYD’S HOUSE - DAY

lloyd

Uh... okay... um...

jim

Is this the guy with the Mustang?

lloyd

No.

INT. DIANE’S HOUSE - DAY

jim

The guy with the Datsun?

INT. LLOYD’S HOUSE - DAY

lloyd

No.

INT. DIANE’S HOUSE - DAY

jim

The truck?

INT. LLOYD’S HOUSE - DAY

lloyd

Uh, no, not really, no actually, basically, you don’t know me. I’m a friend of your daughters; well I sat with her yesterday at the mall.

INT. DIANE’S HOUSE - DAY

I drive a blue Chevy Malibu. I don’t know,

INT. LLOYD’S HOUSE - DAY

I guess I’m pretty bad at this, but what I wanted to do is... could I please...

jim

Why don’t I just get your phone number, that’s usually how it works.

lloyd

Oh. Okay then... Lloyd Dobler, 555-1342.

INT. DIANE’S HOUSE - DAY

555-1342. 555-1342.

jim

Okay, I’ll give here the message.

INT. LLOYD’S HOUSE - DAY

lloyd

Okay. She’s really pretty great, isn’t she?

jim

What?

lloyd

She’s really pretty great, isn’t she?

INT. DIANE’S HOUSE - DAY

jim

Yeah, she is. Good luck.

INT. LLOYD’S HOUSE - DAY

lloyd

Okay. Good afternoon. Goodbye.

INT. DIANE’S HOUSE - DAY

jim

Jim Court... no, this is her father. I’ll take...

He reaches for the notepad.

What?... No, I didn’t get the letter... yes... yes, right away... yes, thank-you, goodbye.

EXT. SEATTLE – DAY

Jim is driving to the ‘Golden Seasons’ nursing home, which he is in charge of. He runs up the front steps.

INT. NURSING HOME - DAY

Mr Taylor, you are a vision in green! Here, let me mail this for you. You can trust a man who writes a letter everyday.

He takes the letter from him, and walks over to the front desk.

Is Diane here? I gotta talk to her.

secretary

She’s upstairs, Mr Court.

INT. NURING HOME KITCHEN - DAY

jim

I gotta tell you this carefully. [?], Ben, could you do me a favor, just a couple of minutes? Great, won’t be long, thanks.

He shuts all of the doors.

diane

What?

jim

I just had a phone call.

diane

Tell me, is it bad news?

Jim

No, no, just listen. You won the Wreath (?) fellowship.

diane

Are you kidding? You’re not kidding? You’re not kidding!

Jim

You won it. You’re going to study at the finest institute at England, the toughest fellowship in the country, and you won.

diane

I won?

jim

You’re going to take a big step, a big leap, and before you do, I just want one thing from you, miss. You stand up straight and admit you’re special.

Diane sinks to the floor.

diane

God, I’ll have to go on a plane.

jim

We’ll worry about that later. Now come on, tell me that you’re special.

He helps her up.

diane

Don’t do this to me. You’re too good at making me nervous.

jim

No, listen to me. You’re the best in the country, don’t you understand? It’s like a pyramid. It starts out with everybody, and it narrows through your life and through everything, and all the hoopla and the competition narrows it down to one brilliant person who is so special that they celebrate you on two continents. And it’s you. So tell me something, where’s the flaw in that? There is no flaw.

They hug each other.

INT. DIANE’S HOUSE – DAY

Diane looks at the messages that her father’s taken for her while she was out.

INT. LLOYD’S HOUSE – DAY

Constance is on the phone.

constance

Hello? Yeah, just a second, Corey. Oh, sorry. Diane Court?

Lloyd drops everything and rushes over to the phone. Constance runs to the bathroom.

Lloyd

No, no, don’t go in there.

constance

Forget it, forget it, it’s mine, it’s mine!

The door slams.

Too bad!

Jason is standing in the doorway. Lloyd sees him there.

lloyd

No noise, no sound, no movement, nothing! Hello, Diane?

INT. DIANE’S HOUSE - DAY

diane

Hi. You called me?

INT. LLOYD’S HOUSE - DAY

lloyd

Yeah. I read about your fellowship in the paper, and I’m very glad you called me back.

diane

Yeah?

lloyd

Yeah. I just wanted to congratulate you on your scholarship to England, and I wanted to tell you that I thought your speech was really incredible.

INT. DIANE’S HOUSE - DAY

diane

Thank you very much.

INT. LLOYD’S HOUSE - DAY

lloyd

Whoah, what a day, huh?

diane

Yeah. What a day.

lloyd

Yeah.

INT. DIANE’S HOUSE - DAY

diane

Yeah.

INT. LLOYD’S HOUSE - DAY

lloyd

Quick question - do you know who I am?

diane

Yes, we sat together at Bell’s Square.

LLoyd

Yeah, yeah, yeah. You remember?

INT. DIANE’S HOUSE - DAY

Diane

No, I read it on the message.

INT. LLOYD’S HOUSE - DAY

lloyd

Okay, um, so it’s Lloyd and... uh... uh... let’s go out. Do you wanna go out?

INT. DIANE’S HOUSE - DAY

diane

Oh, thanks, but I’m busy.

INT. LLOYD’S HOUSE - DAY

Lloyd

Busy?

diane

Yes. Things are pretty hectic right now, but thanks.

lloyd

Are you busy on Friday?

INT. DIANE’S HOUSE - DAY

diane

Yeah, I have to help my father.

INT. LLOYD’S HOUSE - DAY

lloyd

Are you busy on Saturday?

INT. DIANE’S HOUSE - DAY

diane

Saturday, I have some things to do around the house.

INT. LLOYD’S HOUSE - DAY

lloyd

So you’re monumentally busy?

INT. DIANE’S HOUSE - DAY

diane

Well, not monumentally.

INT. LLOYD’S HOUSE - DAY

lloyd

What about tonight then, are you going to that party at Valhere’s?

diane

Hmmm....

lloyd

Look Diane, I’m sorry, but I can’t allow you to leave the country without going to Valhere’s graduation party. This gentleman, he’s twenty-two, and he comes out of hiding once a year for this occasion, and he dresses up as the Lakeside rooster, and he,

INT. DIANE’S HOUSE - DAY

And he makes this drink called the ‘Purple Passion’.

Diane

Actually, I think that I...

INT. LLOYD’S HOUSE - DAY

lloyd

Y’know, you’re not in England yet, you know that of course, and by the way, I want to just tell you that I lived in England for a few months,

INT. DIANE’S HOUSE - DAY

And my parents are in the army you know, so they live in England and Germany, and

INT. LLOYD’S HOUSE - DAY

I could give you an enormous amount of tips. Many tips. English tips.

INT. DIANE’S HOUSE - DAY

diane

Well...

INT. LLOYD’S HOUSE - DAY

lloyd

No tips. I won’t give you any tips of any kind.

INT. DIANE’S HOUSE - DAY

diane

I’ll go.

INT. LLOYD’S HOUSE - DAY

lloyd

Pardon me?

INT. DIANE’S HOUSE - DAY

diane

I’ll go.

INT. LLOYD’S HOUSE - DAY

lloyd

You will? Excellent, alright, this is great. You will, really?

INT. DIANE’S HOUSE - DAY

diane

I’ll go.

INT. LLOYD’S HOUSE - DAY

lloyd

Alright. This is really great. Alright, we’re going out. It’s a date. It’s a scam. Whatever, whatever, alright, I’ll pick you up at what, eight O’ clock?

INT. DIANE’S HOUSE - DAY

diane

Eight.

INT. LLOYD’S HOUSE - DAY

lloyd

Eight. Eight O’ clock.

INT. DIANE’S HOUSE - DAY

Diane

Goodbye.

INT. LLOYD’S HOUSE - DAY

lloyd

Goodbye.

INT. DIANE’S HOUSE – DAY

Diane picks up her yearbook, looking for Lloyd. When she finds his entry, she looks slightly ill at ease.

INT. LLOYD’S HOUSE – DAY

lloyd

Thanks, little man.

He picks Jason up and strums him like a guitar, then he holds him next to his punching bag.

Now, work that bag, work that bag J-man. Left hook, right hook, hook up the jab (?), straighten left hand. What do we love?

jason

PAIN!

lloyd

Work that jab, work that hook, work that jab, okay, take a break, take a break.

INT. DIANE’S HOUSE – NIGHT

Lloyd walks up the drive and knocks on the front door.

Jim

Be right there.

He opens the door for Lloyd.

lloyd

Hi. Lloyd Dobler, sir. Pleasure to meet you.

jim

Hello Lloyd.

lloyd

Hello. Heard about that graduation present. Really quite a car. Look, I know you’re busy, you don’t’ have to retain me, but you can trust me. I’ll tell you a couple of things about myself, I’m nineteen, been overseas for a couple of semesters, but now I’m back. I’m an athlete, so I rarely drink. Kickboxing. You heard of kickboxing, sport of the future? Don ‘The Dragon’ Wilson, Lenny [?] merciless, one of the champions of the sport? I can see by your face, no. My point is, you can relax because your daughter will be safe with me for the next seven to eight hours.

jim

Fine Lloyd.

lloyd

How ya doing? Is she around?

jim

Yeah. Honey?

Diane appears in a white dress, and walks towards them.

lloyd

Whoa.

diane

Would you hold this for me?

lloyd

Yeah

They leave. Jim looks after them, also looking ill at ease with Diane’s choice of date.

INT. LLOYD’S CAR – NIGHT

DIANE

What are these?

lloyd

They’re Bavarian Death style (???) pretzels.

diane

Oh. Um, would it be terrible if I wanted to go home early?

Lloyd

No.

Lloyd turns the key in the ignition. Music starts, which he quickly stops, trying not to make a bad impression.

INT. VALHERE’S HOUSE – NIGHT

Lloyd and Diane walk through the front door. The party has already started.

girl at party

Oh my god! Hi Lloyd.

lloyd

You okay? You want a drink?

Various other people greet Lloyd as he walks through the house with Diane to the back yard, many expressing surprise at his date. In the backyard, VALHERE is standing behind a fountain of ‘purple passion’- his drink.

valhere

It’s gotta stay purple. All night. Hey Lloyd, how ya doin’?

lloyd

You know Diane Court?

valhere

Wow, man. Well. Listen man, I need you to be the keymaster.

Valhere hands Lloyd a bag.

lloyd

Oh, I was just going to...

valhere

A very responsible young man you’re out with tonight.

lloyd

I was gonna...

valhere

Thanks a lot Lloyd.

lloyd

I was just going to kind of move around.

Valhere walks away.

Thanks.

diane

Keymaster?

lloyd

Yeah, I have to judge who can drive home and who can’t. I have to keep their keys.

diane

So it’s an honor?

lloyd

No.

MARK rushes up to Lloyd, pinning him against the wall.

mark

We finally graduated, big dude guy!

lloyd

Alright!

SHEILA moves up to talk to Diane.

sheila

I’m so glad you came to this.

mark

Here are my keys!

Mark ‘hi-fives’ Lloyd.

lloyd

Ow! I wish you had done that without the keys in your hand, brother.

sheila

Come with me, there are so many cute guys here, c’mon.

lloyd

Let go of me!

mark

I love you man

lloyd

I love you too.

Mark leaves, as MIKE CAMERON approaches.

mike

Oh boy.

lloyd

Hey.

mike

Mike Cameron, how you doing?

lloyd

What?

mike

Mike Cameron. This is one fresh jam, huh?

Lloyd

Yeah.

mike

Yeah, hey, oh god. Listen, I wanted to... I don’t know you very well, you know, but I wanted to ask you, how did you get Diane Court to go out with you?

lloyd

I called her up.

mike

Yeah, but how come it worked? I mean like, what are you?

lloyd

I’m Lloyd Dobler.

mike

This is great, this gives me hope. Thanks.

lloyd

Alright. Key?

INT. VALHERE’S HOUSE – NIGHT

Corey has her guitar. DC and REBECCA are sitting next to her.

corey

I wrote sixty-three songs this year. They’re all about Joe, and I’m going to play every single one of them tonight.

Rebecca

I just saw Joe. He’s here.

corey

Well, you don’t have to be so dramatic about it.

dc

You did try and kill yourself because of the guy.

rebecca

What was it like after it happened? I’ve always wanted to know.

dc

She explained it all on ‘Wake Up Seattle’. Where were you?

corey

Stop! I am fine now, I am alright. All everybody does is ask me about it and I am fine... did Joe come with Mimi tonight?

Rebecca nods.

EXT. VALHERE’S HOUSE – NIGHT

LLOYD

Keys? Keys?

guy

Alright, keymaster.

lloyd

Right... hey, how ya doin’?

A car pulls up the driveway.

miss evans

Lloyd. Lloyd Dobler, I’ve got you.

lloyd

How ya doin’ Miss Evans?

miss evans

You missed every one of your career counselling sessions. Call me obsessive, compulsive, but let’s do this right now.

lloyd

No way.

miss evans

Lloyd.

lloyd

What?

Walking past, a girl and a guy are fighting, distracting Lloyd’s attention from Miss Evans.

girl

Get away from me!

guy

What did I do?

girl

Don’t even follow me. Leave me alone.

miss evans

Don’t make this like a counsel(?), Lloyd. I got statistics I can show you, I got graphs I can show you. That’s all the stuff I can show you, it all says the same thing. You have to decide on a career.

lloyd

My dad’s a lieutenant colonel in the army, he wants me to join, he wants to pull some strings. I mean, there’s no possible way.

Miss evans

We’ll just make an appointment for you at Seattle Junior College.

girl

Are you the keymaster?

lloyd

Yep. I’m not going to go to Seattle Junior College. I mean, I’ve gotta be honest with you, I’m not looking for that, I’m looking for something bigger, you know? I’m looking for a dare to be great situation.

miss evans

Lloyd, everybody in that party put something down on their record except you.

lloyd

How many people really know what they want though? I mean, a lot of them think that they have to know, right? But inside, they don’t really know, so, I don’t know. But I know that I don’t know.

miss evans

Hang tough, Lloyd.

EXT. VALHERE’S HOUSE – NIGHT

sheila

I know we were ‘all too competitive’ this year, but I just want to say that if it hadn’t been for ‘Diane Court [?]’, I probably wouldn’t have gotten into Cornell, because you made me study twice as hard. So thanks.

diane

You did the same for me.

sheila

I did? Did you really come here with Lloyd Dobler? How did that happen?

diane

He made me laugh.

Diane looks over and sees Lloyd, who then walks away.

INT. VALHERE’S HOUSE – NIGHT

Diane is on the phone to her dad.

diane

Yes... he’s okay dad... you’re welcome. I always call you, you know that... alright ... stop being so grateful... alright, I’ll be home before dawn, okay? Bye.

Diane walks over to two girls who have been standing in the doorway watching her.

Oh, would you guys sign my yearbook?

girl 1

Sure. Would you sign mine?

diane

Yeah.

girl 2

Did you really have to call your dad?

girl 1

God, how nightmarish.

diane

I promised.

girl 2

Is he going to wait up?

Girl 1

Tell him nothing.

girl 2

Nothing.

girl 1

I make sure I enter the house crying. He leaves me alone.

girl 2

I loved in your speech, when you said you were scared?

guy

Lloyd Dobler, alright.

INT. VALHERE’S HOUSE – NIGHT

Diane is walking around, she sees Lloyd, and walks away.

Corey is playing her songs, Lloyd is watching.

corey

"He likes girls

With names like Ashley

And Kathleen"

Joe walks up behind Lloyd, with MIMI. Corey sees him, and stands up, looking at him.

mimi

I’ll be in the kitchen, Joe.

Mimi leaves; Corey sits down and starts another song.

corey

"That’ll never be me,

That’ll never be me,

That’ll never be, never be me, no.

That’ll never be me,

That’ll never be me,

That’ll never be, never be me, no.

Corey continues her song as Joe walks towards her. Lloyd stops him.

lloyd

Joe. Joe. She’s written sixty-five songs. They’re all about you. They’re all about pain.

joe

So what’s up?

lloyd

Stop freaking with her head man. Just stop playing with her mind, you know? She’s a human being. She’s a person. She’s very talented, you know.

joe

Dude, why do you think I keep her tapes? They’re going to be valuable some day.

Corey finishes her song.

No. Never. No, never, ever, ever. Don’t you ever think it!

INT. VALHERE’S BATHROOM – NIGHT

Mike has a drink in each hand, and looks in the mirror.

mike

Oh my god.

A new tape is put on the stereo.

EXT. VALHERE’S HOUSE – NIGHT

Diane and Corey are talking in front of the fountain.

corey

I mean, Joe was my first love, he was my first sex, and the whole time he was going out with Mimi. He’ll never break up with her. If I see him, it’s "Hi Joe, how are you?", and that is it. I’ll be okay.

diane

Don’t’ worry. He’s at the other end of the house.

corey

It’s too bad more guys can’t be like Lloyd.

diane

He checks up on me, look.

We see Lloyd in the crowd, looking at Diane and Corey.

COREY

I got some more songs to do.

INT. VALHERE’S HOUSE – NIGHT

Corey is on the sofa again.

"Joe lies, Joe lies,

Joe lies, when he cries

When he cries."

EXT. VALHERE’S HOUSE – NIGHT

Lloyd, seeing Diane alone, goes over to talk to her.

LLOYD

So we can finally talk?

diane

Yeah.

Valhere comes out to the center of the garden dressed as the Lakeside rooster, shouting into a megaphone.

valhere

‘Lakeside, Lakeside have no fear (?),

How about another year?’

All of the partiers start to tear feathers off the costume.

Diane

He does this every year?

lloyd

It’s the worst job since keymaster.

Lloyd runs up to the crowd and jumps on Valhere.

INT. VALHERE’S HOUSE – NIGHT

Corey is getting some drinks out of the fridge, when Joe walks in.

corey

Hi Joe, how are you? I love you.

joe

I love you too.

corey

You invade my soul.

joe

I want to get back together. Mimi’s going to go to college, and I’m going to be alone, but I’m going to break up with her before she leaves.

They hug.

Have sex with me.

corey

No. Goodbye Joe.

Corey walks away.

EXT. VALHERE’S HOUSE

Most of the people have left, or are leaving.

valhere

You know, every year I throw this party, every year nobody helps me clear up. Why am I yelling?

lloyd

I don’t know.

valhere

I don’t know. Good on you man. Alright Lloyd.

lloyd

Maybe we’ll come by tomorrow, help you clear up or something.

valhere

Diane, everybody loves that you showed up.

diane

You’re a great rooster. Sign this?

She hands him her yearbook

valhere

Okay.

Corey comes up to them and puts her guitar on the ground.

corey

So I’m single now, everything’s changed. I hate it.

Mark runs up and jumps on Lloyd, knocking him to the ground.

Mark

Give me my firebird keys!

lloyd

You must chill! You must chill! I have hidden your keys. CHILL!

Mark

I love you man.

lloyd

Alright, I love you too. Go to sleep.

mark

We’re full on bonded.

lloyd

Yeah, alright.

Mark falls over.

corey

You are such a great person Lloyd. I’m a good person, but you are a great person.

lloyd

Hang in there, man.

corey

Yes.

lloyd

See you tomorrow.

corey

See you. Bye. Bye Diane.

diane

Bye bye.

valhere

Hey, drive safe.

He gives Diane her yearbook back.

diane

Thank-you.

lloyd

I hereby surrender my duties as keymaster, give me a beer.

valhere

Certainly.

lloyd

I am happy to say that this bag is officially empty.

He turns the bag upside down, a set of keys fall out.

diane

Uh-oh.

valhere

The back bathroom. Let’s go.

INT. VALHERE’S HOUSE – NIGHT

Valhere, Diane and Lloyd cautiously open the bathroom door.

lloyd

Oh, look at this gentleman here.

Mike is on the floor, next to the toilet.

mike

I gotta get home, gotta go home.

INT. LLOYD’S CAR – NIGHT

Lloyd and Diane are on the front seats; Mike is in the back.

mike

Ooop, excuse me.

lloyd

How you doin’, brother?

mike

I don’t really know where we are.

radio dj

I’m about to play you three hours of commercial free rock and roll as the soundtrack to this magical might.

EXT. SEATTLE – NIGHT

Lloyd’s car is driving around.

lloyd

Recognise anything yet? Anything?

INT. LLOYD’S CAR – DAY

radio Dj

Lord have mercy. Three hours of commercial free rock and roll. Good morning...

mike

Hey, that’s it, that’s my house. I live there.

EXT. MIKE’S HOUSE – DAY

Lloyd’s car pulls up sharply outside.

lloyd

Have a good sleep.

diane

Bye.

mike

Thanks a lot. You guys are the best. Give me a call or...

Lloyd’s car speeds away.

INT. LLOYD’S CAR – DAY

LLOYD

Uh, did you... so what did they write in your book, what did they write to Diane Court?

Diane opens her yearbook.

diane

Alright, this is some of the things they wrote me; "Glad I finally met you", "You always seemed nice", "Wish I could have known you more"...

Lloyd

Mine say stuff like "Lloyd, see you around maybe"

diane

Nobody knew me before tonight.

lloyd

They knew of you. Now they know you.

diane

Yeah, but I feel like I fit in for the first time, you know? Like I just held them far away from me, and they did the same to me.

Lloyd

That’s cool then.

diane

Yeah. I’m so glad we did this.

EXT. SEVEN-ELEVEN – DAY

We can walk from here.

lloyd

It’s just you and your dad, right?

diane

Yeah, but that’s an old story, you don’t want to hear it.

lloyd

Sure I do.

diane

Well, my parents split up when I was thirteen, and... god, I actually had to... I went into court and I had to choose between the two of them. So I chose my dad. It just felt safer that way, you know?

lloyd

Watch out for that glass.

Lloyd points at some broken glass in front of them, sweeps it aside with his foot, and helps Diane around it.

diane

Thanks. But either way it still feels...

Lloyd

Twisted?

EXT. DIANE’S STREET – DAY

DIANE

You know what?

lloyd

What?

diane

You’re a great date. I’ve never really gone out with someone as basic as you.

Lloyd

Basic. Hmmm.

diane

So what’s your job this summer?

lloyd

Job? Being a great date.

Diane

No, I’m serious.

lloyd

So am I. I want to see you again. I want to see you as much as I can before you leave. I said it.

diane

I only have something like sixteen weeks.

Lloyd

Sixteen weeks is a long time.

diane

Then call me tomorrow.

lloyd

Today is tomorrow.

diane

Then call me later.

They stop outside Diane’s house. Diane runs up to Lloyd and hugs him.

Lloyd

Oh. I’ll call you later.

INT. DIANE’S HOUSE – DAY

Diane walks through the front door. Her dad is waiting for her.

jim

Morning honey.

diane

Dad, I’m so glad I went. Goodnight.

jim

Wait a minute. How was Lloyd?

diane

Lloyd was such a gentleman. He was funny and nervous and strange, and I met people that I never would have met before, then I blew it. I called him basic. Can you believe I did that?

jim

Well, I don’t think he’s really been embarrassed by it.

They walk to the window. Lloyd is celebrating in the street, ecstatically.

diane

Goodnight.

jim

Goodnight.

INT. COREY’S ROOM – DAY

Corey, DC and Rebecca are sitting talking.

corey

Lloyd is doomed.

dc

Meaning?

corey

Meaning that she made the second date a family audition, which is the kiss of death for Lloyd.

Rebecca

Why?

corey

It’s too much pressure, it’s not his crowd.

rebecca

What is wrong with this girl?

dc

I told him to be himself.

corey

He’s got that nervous talking thing. I told him not to speak.

rebecca

Hey, I know this is a strange thing to say, but maybe Diane Court really likes Lloyd.

corey

If you were Diane Court, would you honestly fall for Lloyd?

She looks around the room. Everyone is thinking about it.

Yeah.

DC

Yeah.

rebecca

Yeah.

INT. DIANE’S HOUSE – DAY

Lloyd and Diane are in Diane’s bedroom. Lloyd is dressed for the evening.

Diane

You think I should wear this dress?

She holds a dress around the door.

lloyd

Yeah.

diane

Or, or I could always wear this one.

She holds a different dress around the door.

Lloyd

That’s nice.

Lloyd picks up a model of a brain from Diane’s shelves, sniffs it and puts it back.

diane

Oh, um, I forgot to tell you who’ll be at the dinner tonight. Uh, my dad’s accountant, um, and two women who work in his nursing home. I know you don’t know them, but it’ll be fun.

Lloyd picks up a three-inch dictionary.

lloyd

Boy, this is a mother dictionary.

diane

Yeah, I’ve had it forever. I used to have this thing with marking the words that I looked up.

Lloyd flicks through the pages of the dictionary. Nearly every word has a cross next to it. Diane holds another dress around the door.

How about this one?

lloyd

Nice one.

diane

Yeah?

lloyd

I think you should wear that.

diane

You think so?

lloyd

Mmmm.

The doorbell rings.

I’d better get downstairs, huh?

diane

Yeah, I gotta change.

C.U. JUKE BOX, playing jazz.

INT. DIANE’S HOUSE – NIGHT

Lloyd, Diane, Jim, Jim’s accountant and two women are sat around the table.

ACCOUNTANT

Great meal, you two.

Woman

You just look beautiful, Diane.

diane

Thank-you.

jim

Same eyes, same nose, same mouth... [?]

accountant

So, what airline do they send you over to England on?

diane

Charter.

jim

She’s not the world’s greatest flyer, let me tell you. When she was eight years old, she...

diane

Dad.

jim

Now why can’t I tell the story?

Woman

What story?

diane

If you’re gonna tell it, let me tell it.

jim

Well, let me start it. I’m flying down to Los Angeles on business, and I decide to take her on her first aeroplane.

diane

I knew how planes flew, but I was still a little nervous.

jim

Crash paranoia.

lloyd

Oh.

diane

I had a checklist in mind. I thought that if babies were on the plane, the plane couldn’t crash. But all the babies were crying, and I thought they knew something I didn’t.

jim

So anyway, they closed the doors, and she starts to scream. I’ve never in my life heard anyone scream quite like that.

diane

And then you got up and you told them to turn the 1