Timothy Dalton Absolutely Unofficial Page
THE BIOGRAPHY OF
TIMOTHY DALTON
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here to read the Biography in Russian
"I like taking material I
think impossible because that provokes an extreme effort of imagination and
commitment. But I could never say which of my parts had most satisfied me or
which was my favorite. Even my failures are my blood, my sweat, my care, my
love, part of me, and I can't disown them." (Timothy Dalton, New York Times,
July 26, 1987)
A true superagent? Simply a man of mystery? In what
year he was born, 1944 or 1946? Sources name both dates. What is the color of
his eyes? Grey? Green? Light blue? What is his height? 6'1? 6'2? Is his
nationality Englishman with a dollop of Italian or Irish blood? "We
Welshmen like to think of ourselves as heroes," he was once quoted. (Photoplay,
November 1986). Is he Aries or Pisces, as Tim was born on the border of two
signs? Is he really even 'Timothy Dalton'? Flower Power
reports a costly order placed by him in the name of James Bond, thought to be a
hoax. "I talked to him and I verified that it was really him," Administrations
Manager Viviane Rainville of Florists Network corroborated. "He said, 'I'm
really him, Timothy Dalton. Really I am!' His bank told us there was no
problem. We billed it to his address in England under his real name, which is
not Timothy Dalton."
As to his biography, we must wash ashore on a single
coast. Consequently:
Name: Timothy Dalton
Nationality: British
Height: 6'2"
Weight: (in 1988): 180 pounds
Eyes: gray-green
Zodiac sign: Aries
Timothy Dalton was born on March 21, 1946 in the north
of Wales in the small town of Colwyn Bay, the eldest of five children. Sadly
for those of you wishing to create a Timothy museum, the house was knocked down
some years ago to make way for a freeway. However, it quite suits Timothy
himself. As his co-star in Jane Eyre,
Zelah Clark observed, "He works at a speed of 150 miles an hour." (Televidenie
i Radioveshtchanie, March 1989)
Timothy's ancestry is not only English but also Irish
and Italian. His paternal grandmother was from Naples; his paternal grandfather
was Irish. His mother's family is from Brooklyn, New York. Also, we can note
that Timothy's dramatic abilities do not come from thin air. "Timothy's
grandfather was a theatrical manager and his grandmother played English music
halls with a promising young Charlie Chaplin." ("The
Ultimate James Bond An Interactive Dossier" CD). Moreover they say
her (grandmother's) parents played the music halls too. And "both of
Timothy Dalton's grandfathers had worked in show business as vaudevillians, and
his maternal grandfather became a theatrical agent." (Current
Biography Yearbook 1988).
Peter Dalton, Timothy's father, a successful
advertising agent, moved his family from Wales to England in the late 1940s
when Timothy was four. He chose an upper class neighborhood outside of Belper,
Derbyshire, just south of Manchester. There Timothy attended school, quickly
surpassing the other schoolboys in amateur performances. But apparently these
'wonderful school years' did not leave him with very pleasant memories. Later
he said, "I was good at sports, played on the school teams. But I never
enjoyed anything else in school." (Seventeen, December 1970).
Timothy is too modest. His mind was engaged not only on sports. "When I
was a kid, I always wanted to make a movie of Crime and Punishment. (Hollywood
Press Room, February 13, 1997).
At 16, Timothy saw a performance of Macbeth in
the Old Vic Theatre, and that play impressed him so much it shaped his life.
"Real people creating an extraordinary, magic world while they were in a
room with you." (New York Times,
July 26, 1987). After leaving school, Timothy joined the National
Youth Theatre, debuting in the role of a serving-man in "Coriolanus"
at Queen's Theater, then studied at the Royal Academy of Dramatic Art. "I was this strange
contradiction of being very cocky and humble. They do exist together. Without
self-belief, you aren't going to get very far, and if one doesn't have it, one
does have to pretend," – recalled Tim in
1984. However, the romance with RADA was short
lived. "It took a year to undo the psychological damage that was caused by
oppressive teachers." (Seventeen, December 1970). He left it after
two years, and in 1966 Timothy was invited to join the Birmingham Repertory
Theatre after his successful roles at Royal Court Theatre in A Game
Called Arthur and Little Malcolm and His Struggle against
Eunuchs. "I
left the Royal Academy of Dramatic Art before the end of, of my, you know,
time, and I was offered a job at a wonderful repertory company in Britain
called the Birmingham Repertory Theater, and I had always wanted to go there
because, because I had read that that was where Albert Finney got his early
training, and where Lawrence Olivier got his early training, and I was offered
a job there, so I got on my, I had a beaten up motorcycle in those days, a BSA
C15 that constantly leaked oil, as I think all British motorcycles have ever
done ever since. Drove the 120 miles up there and started my job, and I had a
great first year…" (The
Savannah College of Art and Design. An Acting Class with Timothy Dalton.
November 1, 2001)
In Birmingham, Timothy played mainly Shakespeare:
"The Merchant of Venice", Costard the Clown in "Love's Labor
Lost", Richard in "Richard III", Oliver in "As You Like
It" (the last performance was transferred to the West End), among other
noteworthy roles. In 1966, Timothy premiered in one episode of the short-lived Judge
Dee for BBC television, and in 1967 appeared as a regular in another BBC
series, Sat'day While Sunday. The gifted beginner was noticed, and Peter
O'Toole offered Timothy the role of the French king Philip in the film The Lion in
Winter, where O'Toole himself played the English king Henry II with
Katherine Hepburn as his wife, Queen Elinor of Aquitain. The film won several Oscar
nominations, Miss Hepburn tying with Barbra Striesand (Funny Girl) for
the Best Actress award. Though not receiving a nomination, Timothy made a good
impression on the critics.
Following that success, Timothy played in more movies
and television: Cromwell, Three Princes (BBC), Five Finger
Exercise (BBC), Candida (BBC), Wuthering
Heights, and The Voyeur (a.k.a. Giochi Particolari).
He also devoted time to the theatre: War and Peace in Coventry as
Andrey, Royal Hunt of the Sun, and Peter Sheffer's The Samaritan.
In 1971, Timothy was nominated for a British Academy of Film and Television
Arts (BAFTA) award for the role of Lord Henry Darnley in the film Mary Queen
of Scots. ("The
Ultimate James Bond An Interactive Dossier" CD). Also in 1971, he
played the main role in the first performance of Macbeth in Hawaii. In 1972,
Timothy was invited to play in Lady Caroline Lamb (sadly not the role of
Lord Byron, but as Lady Caroline's husband), but at the last moment he was
replaced by John Finch. Timothy sued the film's producers. The suit was settled
out of court and the film aired without him. It is not known whether this or
other factors compelled Timothy to leave the movies for some years and play
only on stage. Timothy himself has said that he needed to sharpen his teeth on
serious roles, honing his talent and giving free rein to his imagination.
Those years in the theatre taught him a great deal,
both as an actor, and as a man. He had excellent material, including, Edgar
in "King Lear", Beroin in Love's Labor Lost, Romeo in Romeo
and Juliet (the Royal Shakespeare Company), and Prince Hal in Henry IV.
In 1975, Timothy returned to the movies, playing in the espionage film Permission to Kill
(a.k.a. Vollmacht zum Mord) with Ava Gardner and Dirk Bogard. In 1976,
he was in the Spanish picture from inquisition times, El Hombre Que Supo
Amar (a.k.a. The Man, Who Knew Love).
In 1978, Timothy went to Hollywood. He played the
supporting role of husband to the legendary Mae West in Sextette.
Miss West, whose lips were immortalized in the form of a sofa by Salvador Dali,
was 86 at the time of filming. Timothy remained in America to do more work. He
played in the epic Centennial
and the popular weekly crime drama, Charlie's
Angels as high-class thief Damien Roth, looking like a perfect young
James Bond (episode title, "Fallen Angel"). He also starred in the
film The Flame is Love, based on a Barbara Cartland novel, and
supported Vanessa
Redgrave's Agatha Christie as the mystery novelist's husband in Agatha.
Timothy did not neglect the theatre. At this time he played in such
performances as The Vortex (for radio, 1976), Lunatic, Lover, and
Poet as Lord Byron (1977), and The Romans as Mark Antony (1977).
In 1980, Timothy returned to Europe to play in the
comedic science fiction Flash
Gordon, and also star in the film Chanel Solitaire as Boy
Capel, a biography of Coco Chanel. In 1982, on the London stage he played
Hotspur in Henry
IV. "Michael Powell and I started work last year on the English
script of a life of Pavlova which the Russians wanted us to make over here. I
was going to play the husband who blew all her money, and they've got a great
Russian star for Pavlova, and I'd just come home for Christmas to start
learning it when Trevor rang and offered Hotspur. So I had a week of
soul-searching, decided I really did want to be in at the beginning of the
Barbican, and told the Russians. They were very understanding and I went out
and got James Fox instead. I just hope I made the right decision; it's cost me
three hundred thousand dollars..." (The Times
Newspapers Arts Section on Saturday June 5th, 1982). The next year Timothy
transferred one of his Shakespearean roles to the screen when the BBC filmed
the performance of "Antony and Cleopatra", starring Timothy and Lynn
Redgrave.
At this time our leading man starred on TV a
considerable amount. He played Mr. Rochester in Jane Eyre
(probably one of his most popular roles, if not the most known and loved by the
audiences), and the most winsome of rapscallions, Colonel Burke, in The
Master of Ballantrae (1984). He narrated the animated Hans Christian
Andersen's The Emperor's New Clothes for the syndicated Faerie Tale
Theatre. He also narrated six documentary nature programs for Survival
Factor or Wildlife Chronicles, released in the UK, entitled Spadefoot,
Water Voles, Technical Animals, Life on the Edge, White
Water, Blue Duck, and They Walk on Water.
Timothy did not escape the banal serials of the times.
He played in Mistral's
Daughter (1984), Sins (1985), and Florence Nightingale
(1985). He himself explained it with, "I discovered the wonderful world of
international television mini-series, like Centennial and Sins,
which pay enough to let you go back to the theatre whenever you like". (Timothy Dalton's Authorized
Internet Site, Theatre Credits and Reviews). In 1984 he also was a
guest on the British series Hooked International, indulging his passion
for fishing in Ireland.
In 1985, Timothy appeared on the big screen as the
initially conscienceless anatomist Doctor Thomas Rock in the drama The
Doctor and the Devils, based on purportedly actual events in Scotland at
the end of the last century as described by the Welsh poet Dylan Thomas. In
preparation for the undertaking of this role, Timothy witnessed several
operations, and even an autopsy, which he called "one of the most shocking
and gruesome experiences" he had ever had. (Current
Biography Yearbook 1988). From time to time he returned to the London
stage, successfully playing Petruchio in Taming of
the Shrew (1986) and a reprisal of Antony
and Cleopatra, Lynn Redgrave having been replaced by her elder sister Vanessa
(1986). He also played a supporting role to Brooke Shields in Brenda
Starr, but legal battles held the release of the film off until 1989.
In 1986, Timothy was handed the 007 baton from Sean
Connery and Roger Moore, becoming the next magnificent agent, James Bond. It
was the third time he was offered this role. As early as 1971 Connery decided
to quit. Tim very wisely refused the role, deciding that his predecessor was
too good. To compete might kill his budding career, forcing him into becoming
only an ethereal memory as 007. The second time he was invited to become Bond,
in the early 1980s, it was as the replacement of Roger Moore. Timothy was
otherwise engaged, so Moore returned for a couple of years. When Moore finally
left, the role was offered to Pierce
Brosnan, but he was already committed to the series Remington Steele,
so the producers again turned to Timothy.
At first Timothy did not want to be tested for the
part of Bond, he thought that his track record as an actor was sufficient. In
the end Michael Wilson explained to him that "Nobody doubts your talents,
but we have to see what we are dealing with, what we have on camera." (When the
Snow Melts by Cubby Broccoli). Timothy was reluctant, but finally
agreed and he was tested on a couple of scenes from On Her Majesty's Secret
Service as a lover and as a killer and all his years of training and
experience showed, and Timothy became James Bond. "I don't know why we
chose scenes from that particular Bond picture (OHMSS), but Timothy showed he
had every quality we were looking for to take over the role. The other thing
that impressed me was his incredible and believable likeness to the Bond
character. When we studied the screen test, every one of us believed he could
have been a former commander in the British Navy. He behaved as though he had
the ability to be a spy, and he looked as though he wouldn't think twice about
killing somebody cooly and cleanly. It was a pretty impressive screen
test." (Eon executive, Jerry Juroe). He at last agreed, becoming Bond
twice, in The Living Daylights (1987) and License To Kill (1989).
In 1988, Timothy acted in a marvelous film with
Anthony Edwards called Hawks.
The picture was not in wide release, a pity because it is one of Timothy's best
roles. On stage in London he again won acclaim with his performance in "A Touch of
the Poet", a little-known play by Eugene O’Neill, found in a dusty
tome by Vanessa
Redgrave. In 1989 among the many other famous actors Tim was involved
into the Save
The Rose campaign. In 1990, Timothy filmed a costume drama in Europe, The King's
Whore (a.k.a. The King's Mistress/a.k.a. La Putain du roi).
"A very disturbing story about love and obsession," according to Tim
himself. (Hollywood
Press Room). In America he had a supporting role in a Disney
comedy, The
Rocketeer (1991). Also in America, together with Whoopi
Goldberg in August 1991, he acted in the first bi-racial adaptation of
"Love Letters", a play by A. R. Gurny.
"In 1991 Timothy, who is starring in Columbus -
The Discovery, has filed a $25 million lawsuit against the movie's
producers, Alexander and Ilya Salkind, for breach of contract and fraud.
Dalton's suit charges that the defendants failed to provide bank guarantees for
his salary ($2.5 million), that they hired a new director without telling him
(breaking a contractual agreement), and that they fraudulently promised him
"star casting" - Marlon Brando, Dustin Hoffman, and Anjelica Huston
(none of whom are in the film)". (from 11/8/91 issue of EW Magazine
)
In 1993, Timothy filmed Framed as
a most charming thief and swindler, the perfect continuation to his Damien Roth
and Colonel Burke roles. Also, he took part as both narrator and presenter in
the creation of a documentary film for PBS, In the
Company of Wolves.
In 1994, Timothy made four films. His credits list his
miniscule onscreen presence in Last Action Hero, starring Arnold
Schwartzenegger, but we only glimpse nose and nape of Timothy. He had a small
but suave supporting role in the film Naked in New York. More
significant are his starring roles in the Lifetime TV drama Lie Down With Lions (a.k.a. Red Eagle), and Scarlett
(the sequel to guess-what). At approximately the same time, Timothy played in Werewolf
Concerto, a humorous farce segment of Tales From the Crypt, which
Tim turned into a pearl!
In April 1994, Timothy officially said "farewell
to arms", transferring the role of the brave agent 007 to Pierce
Brosnan. "Even though the producers have always made it clear to me
that they want to resume my role in their next James Bond feature, I have now
made this difficult decision. As an actor, I believe it is now time to leave
that wonderful image behind and accept the challenge of new ones." As soon
as Tim passed the Bond torch to Brosnan,
his Waxwork
in Madame Tussaud's in London was allegedly melted down with only the head and
hands preserved.
In September 1994, Timothy did two readings of Peter
and Wolf at the Hollywood Bowl to capacity crowds. In 1995, he moved to
Canada to film with Lolita Davidovich in Salt Water Moose, a
complete breakaway role as a single father, bearded and in a baseball cap. 1997
saw Timothy filming a love drama based on an Edith Wharton novel, Passion's Way
(a.k.a. The Reef), which did not air on CBS until 1999, The
Beautician and the Beast with Fran Drescher, and The
Informant, a film about the opposition of the IRA to the English
Army in Ulster. The film is too political to have a large audience, but Timothy
played Chief Inspector Rennie very convincingly and vividly. And in 1996 Tim
did "Uncle Vanya" for BBC radio.
In January 1998, Timothy and Lynn Redgrave read
selected verses to the fine sound of the Chicago Symphony Orchestra in
"Star Crossed Lovers". In the same year Tim read the narrative text
for docudramas about Emergency Services Units, "Nerves of Steel",
"In Harm's Way", and "Twenty-Four Seven". He was also the
voice of Prince Gwidon in the animated feature The
Prince, The Swan and the Czar Saltan, Mikhail Baryshnikov's Stories
From My Childhood. And had you visited the exhibition of "Splendors of
Versailles Exhibit" taking place from the 1st of April through the 31st of
August, 1998, in the Mississippi Arts Pavilion in Jackson MS, USA, Tim's voice
would have been your guide.
In 1999, there were two films with Timothy's
participation, Cleopatra,
a Hallmark television presentation starring as Caesar, and a modern gangster
movie, Made Men,
in the supporting role of an Oklahoma sheriff. Also in 1999 there aired the
documentary " The James Bond Story" with Timothy interviews among
other Bonds.
From the 4th of October till the 14th of November 1999
Timothy filmed in Possessed,
a project for Showtime. It is the true story of an exorcism that was performed
on a 14-year-old boy by a Jesuit priest in 1949. The date of the premiere was
the 22d of October 2000. On the Mark
& Brian Radio Program Tim said about this movie: "It's not a
horror movie. It really isn't a horror movie. It's scary on the level of…how
could this happen?"
Timothy's next projects are a family comedy called Time
Share (a.k.a. Bitter Suite) and a western American Outlaws
(a.k.a. Jesse James). In the last movie he plays Allan Pinkerton, the founder
of the Pinkerton Detective Agency, and the film aired in August 2001.
In 2002 Timothy acted in the movie which is the part animation, part
live action - Warner Bros film Looney Tunes: Back In Action. The plot
swings from Hollywood to Las Vegas and into Africa during a search for the
Brendan Fraser character's missing father (Timothy) and the mythical Blue Diamond.
Winter 2003-2004 Tim came back to London stage as Lord Asriel in a
mystic-psychological drama His Dark Materials. And in 2004 the TV series
Dunkirk (BBC) aired, where Timothy was a narrator.
Tim’s new project is Hercules (Hallmark
Entertainment), he is going to play Amphitryon, the stepfather of Hercules. It
starts shooting on August 23rd in New Zealand. It is going to be 4 hours long,
a mini-series, and is scheduled to air in May 2005 on NBC in the States.
Well, there you have it…Timothy Dalton as an actor. As
to Timothy Dalton the man, we hope the following is accurate:
Timothy has two homes, one in Hollywood Hills, Los Angeles,
California, and the other in Chiswick,
London. His house in Chiswick is modest, one of those typical London houses
that stand very close to the neighbor's. Tim doesn't seem to be a fan of veneer
and showing off. He has said about clothes, "I've never been bothered
about that really, so long as you are clean and neat and don't smell I think
you're alright." (A
British TV Interview with Kathy McGowan. 1988).
Furthermore, in the same interview he observed that he
was not going to buy a new car (at that time he had a Toyota MR2), nor a new
house, and that he was very happy with what he already had. It seemed to be
expected of him as James Bond to do these things. "People lose their
minds. Journalists want you to say, 'I drive an Aston-Martin and drink
martinis'. Truly." (Luaine
Lee, "Timothy Dalton is Finally Free". Scripps Howard News
Service, May 11, 1999). When asked if he did his own stunts for the
Bond films, Timothy said, "I was involved in them. I didn't do anything that is
going to break my neck. In those days there was never a stunt or a moment in a
Bond movie that hadn't been done for real. Nowadays we're so used to what you
can achieve with computer graphics. (Bob
Thomas interview, February 11, 1998). "But I don't like talking
about the stunts because...because you don't...I mean if you go into a cinema
and you wanna watch a marvelous film that's going to take you away into a
fantasy land you don't want to know the nuts and bolts of it." (A
British TV Interview with Kathy McGowan. 1988)
Timothy's pastimes are reading, going to the movies,
and to theaters, including opera, and he is an avid angler. "The real
pleasure of fishing for me is that it is just completely and wonderfully
different from the world that I work and live in. And I suppose there's an element
of the natural hunting instinct. The skill is in 'reading' a stream and
learning to understand where the fish are; but it's not the peaceful hobby that
so many people imagine, because you're working all the time," - said he once.
His musical favorites are classical and jazz.
Also, he visits antique fairs and auctions. He once called himself "the
champion in doing nothing". "I can spend a foolish time watching
soccer games on television - all kinds of sports - while drinking tea." (Tele 7
Jours, May 1995)
As to Tim's gastronomic likes and dislikes, we cannot
be certain. In the same Tele 7
Jours interview Timothy claimed that he's a vegetarian. If that is so,
indeed the Rhett Butler role made him forgot his principles. In one scene,
Tim's character, with enviable appetite, eats chicken! And when asked whether
he drink's the 'Bond' martinis, he said, "No, I don't. I've always found
martinis knock me sideways. I don't think I've drunk one since I left the Bond
movies. Every bar, every restaurant you go in, there's always some wisecrack,
'Oh, yours will be a martini, shaken, not stirred.' You get sick and tired of
that." (Bob
Thomas interview, February 11, 1998)
It is no wonder at all that Tim wandered so far north
to do the In the
Company of Wolves documentary. He descends from those who cannot sit
quietly at home. "I'm still pretty much an itinerant," said Timothy
in one of the interviews while on The
Informant promotion in March 1998. Indeed! His younger brother,
Mark, complained to journalists some years ago, "Tim is generous in many
ways, except with his time. Practically the only time we see him is at
Christmas." When Timothy was asked where he saw himself in 20yrs, he answered:
"I have no idea! I don't know where I'm going to be next week." (Showtime
Chat, October, 22, 2000)
On August 7, 1997, a Ukraine girl from Saransk,
Russia, Oksana Chernuha, bore Tim his only child, a son, Alexander. A lifelong
bachelor, Tim has not made their relationship official. Who's Really Who
presumed that now Timothy would perhaps give up smoking, but it is hardly
likely. Tim is not only a chain smoker, but also has advertised Lark
cigarettes in Japan.
Timothy is quite reserved as to his personal life. "I don't like talking about my
personal life - it's nobody's business but mine," said he in 1989 (read
the whole article) and added ten years later: "I
think it's rather narcissistic to talk about yourself. I admire friends of mine
who are doctors and lawyers. Why an actor?" (Scripps
Howard News Service, May 11, 1999). In 1987, at the Paris premiere
of The Living Daylights, Tim didn't stay long. He said a few words,
smiled for the photographers, enjoyed a drink or two, then went to his
apartment to sleep. (Paris
Match, September 25, 1987)
Timothy is not overly fond of journalists, and they,
in turn, reciprocate. He won the lawsuit vs. The Daily Express, which
wrote about his disrespectful attitude to the mini-series, Scarlett. In
the article, published even before the premiere, it was said that at the press
conference the actor paraphrased, "Frankly, my dear, I don't give a
damn," the words of his character in the final scene of Gone with the
Wind. Timothy's lawyer took it to the Supreme Court. (Ekran,
September 1995).
Although Timothy's name had never been bandied about
as a contender for the fourth James Bond, it was made public on August 6, 1986,
the same week Pierce
Brosnan was on the cover of People Magazine with a headline
proclaiming, "Take This Job and Shove It," referring to Remington
Steele. Timothy's publicist requested a cover story to follow, but the
magazine declined. The expectations raised by four years of speculation that Brosnan
would play the part made Timothy seem very much a second choice, perhaps
attributing to the public's lack of acceptance of Timothy in the role. Timothy,
however, saw it this way: "Bond is a welcome change after being cast so
many times as the mystery lover. I'm single. I'm not married and I'm not a
pouf." (Timothy Dalton to Corrina Honan of the Daily Mail).
Competition with Batman and Indiana Jones
and the Last Crusade (ironically co-starring Sean Connery)
contributed to License to Kill's relatively low box office draw,
causing the Globe to report in August, 1989, that, "In a move to
save James Bond from box-office disaster, producers are planning to give
Timothy Dalton the boot". Timothy sued the paper for libel and seven
months later he won. Timothy said philosophically, "Everybody knows what
kind of James Bond they want. Half the world loves Sean Connery and the other
half loves Roger Moore... And you know that they might all get together and
hate you." (Timothy Dalton USA Today, July 17, 1989). "Timothy
Dalton can have the role as long as he enjoys it. He makes an effective Bond --
lacking Sean Connery's grace and humor and Roger Moore's suave self-mockery,
but with a lean tension and a toughness that is possibly more contemporary. The
major difference between Dalton and the earlier Bonds is that he seems to
prefer action to sex. But then so do movie audiences, these days." (Roger
Ebert, reviewing License to Kill). The lengthiest gap ever between License
to Kill and the next Bond film saw Brosnan finally able to take up the
mantle, freeing Timothy of the original plan to reprise the role a third time.
"My dream is a lonely house at the Irish
coast." (Timothy Dalton, Frau im Spiegel, September 1994).
A nice dream, Mr. Dalton, but we hope so much that you
will play still more.
Biography writer: Anonymous
The information
from Alex Epstein's
Talent / Agent List :
Timothy
Dalton
Agency: International Creative
Management
Agents: Nikki Pfeffer, Chris
Andrews
Contact: (310) 550 4267
Price: $400,000
The
1994-1998 Hollywood Reporter foreign sales rankings: 30 (out of 100)
If you
want to write to Timothy, you can use the follow addresses:
International
Creative Management
Oxford House
76 Oxford
Street
London W1D
1BS
England
UK
or:
International
Creative Management
8942
Wilshire Blvd.
Los Angeles.
CA 90211
USA
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