"Nuno had the music," says lead vocalist Cherone. "I remember being on the porch, hearing the cars go by, and it was a great sound effect. He was strumming on his guitar, and we were singing over normal neighborhood activity. It wasn't a nostalgia thing - people conpare it to Simon and Garfunkel - it was just a pretty song, very simple. we decided we're not gonna change it, we're just gonna record it
"I was sure the record company would want to add drums and this big production, and make it a power ballad. But no one said anything - we kept it the way it was. It got such a reaction live. We did it on our first tour when the song wasn't even released, and we were getting writeups about an acoustic ballad that no one knew."
The rival groups fought over communal dressing rooms one night, but later decided to come together in one new band. Nuno talked about accepting Cerone's offer in Guitar Player. "I couldn't believe it. The guy had never even heard me play! But we both got such good vibes from each other, and we were both into the same kinds of music."
Gary and Nuno stockpiled their songs and played dates in the Boston area, developing a large local following. They were named Outstanding Hard Rock/Heavy Metal Act at the Boston Music Awards in 1986 and 1987. Their managers owned a recording studio, so the band was able to take its time and record as much as they wanted. Nuno estimates they built up a catalog of 55 songs by the time A&R director Bryan Huttenhower signed them to A&M. "I always felt they had the potential to be huge," Huttenhower said in Billboard. The label released the band's self-titled debut albumin 1989; the first single was "Kid Ego", a song that would later make Cherone cringe. Extreme's moderate sales were enough to support a second album, so Dokken/White Lion producer Michael Wagener was brought in to helm Extreme II Pornograffitti.
The album had a loose concept, based on a boy named Francis growing up in a violent, pornographic society. "Decadent Dance" and "Get the Funk Out" were released as singles. Cherone says he knew the former wouldn't be a hit, and radio would resist the double entendre of the latter. The album had fallen off the chart when A&M sent the third single to some Arizona radio stations. "More than Words" entered the Hot 100 on march 23, 1991, at number 81.
In May, Extreme was touring Europe for the first time. "That was when it
was climbing the charts" Gary recalls. "It hit the top 20, and we said, 'Imagine
top 10!' Then it hit number nine for two weeks, and we thought it was peaking
there." Meanwhile, friends and family members were calling home to tell them
how popular they were on the radio and Mtv. "We couldn't comprehend it," Gary
says. "We'd been touring, so we missed the success. When we went home and
actually got our Billboard, we saw it was number one. It really hit home because
every band - everybody- thinks about it."
-Text from a Billboard book, forgot the name.-
