| ANGEL CASAS'
interview with
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Introduction
This program of RTVE (Spain) was presented by Angel Casas in 12 May’ 81 between Barcelona, London and Berlin. It began with an electronic solo of the Spanish group Neuronium (Michel Huygen and Carlos Guirao) in Musical Express Barcelona’s Studio called "A Strange Affair".
It was followed by a brief walked by Berlin for made an interview with the musician Klaus Schultze over psychedelics images.
Also, after that, Tangerine Dream performed an live performance in a city’s cathedral. It was followed by an interview to the components of Neuronium´s group, and at the end of that, was the visit of the program’s team to Nemo Studios.
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| Vangelis was interviewed in French by Angel Casas, under the percussion set of the studio.
At the end of the interview began an electronic theme performed by Neuronium and Vangelis, that in 1993 was published remixed by Huygen with the name ‘In London’ and in 1996 as ‘A Separate Affair’.
Visit to Nemo Studios Angel Casas’ introduction: "Vangelis’ studios, the greek, who after a series of lot of walking, was or he’s in England, produced their own records and arranged them from this, his own studio. Lets go to know Vangelis, lets go to too to know their work. And we’re to see how works, in collaboration with one of our guest in this Musical Express, which is Neuronium. We went up to the Vangelis’ studio, and we find us with all his wide and electronic instrumental. We’re going to check because he has them hanging on the wall his golden discs collection, in this stage as producer with other artist, or arranged, or either as soloist interpreter, and we are going to hear one of his latest pieces, some of that are incorporated to his work as soloist and others to his collaborations with Jon Anderson.
Let’s go to hear how sounds to direct music, made it from his own studio, of Vangelis".
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| The interview:
Vangelis & Michel Huygen improvissing "In London"
Neuronium & Vangelis playing
Single IN LONDON signed by Michel Huygen in 1994
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Vangelis is a greek musician, transfer to France during a few years, in pop’s time, and came later to London called from to take part in a pop group.
What are you had done? "It’ s an improvisation."
Is so as you work? "Yes, always."
When you were a young boy, you had a piano, or something else? "Yes, I had a piano at home."
When you began played for the first time an electronic instrument ? "It was in the beginning of the sixties."
And what’s what you done with him? "I tried to extract the most as is possible. It wasn’t a synthesizer, it was an instrument more simple, a normal organ. I modified it a bit."
What things may to do with a synthesizer? "It was a fantastic discovery. You can do... almost they aren’t limits."
How many synthesizers do you have, mellotrons? "Now, more and more time, I think that are synthesizer much more perfectioned, and don’t mind have a lot for get the sound that you want. You can do it all with two a three synthesizers, you can do all the combinations as you want, and you get the same result from six or seven years, with ten o twenty."
We talk about synthesizers, but is not necessary the musicians? "Always somebody’s needed. The man is the most important instrument."
Mr. Moog gifts you some thing every Christmas, don’t you? "No, made me no gifts, no."
Okay. When do you come to London? "In the 74."
It’s was for enter in Yes, don’t you? "Oh, yeah, I had propositions, but I don’t want accepted them."
But I read in the papers that you’re to enter in Yes. "Yes, we talk about that, but doesn’t very important. It were propositions. I don’t want go. They made a lot of noise."
But doesn’t the group that you want? "The group don’t interested me. I’m not compatible with Yes’ music. I like to have my freedom and I want do that I fancy."
And your friendship with Jon Anderson? "We’re friends. I like to work with him some times. It’s no an obligation."
What is which Jon Anderson do?. Sing or plays some instruments with you? "When we do an album together, he sings and write the lyrics. I make all music, instrumentation production. When he make an album, I played some time."
Do you prefer to work with a voice or only with keyboards? "It depends."
For the songs’ conception, I refer "I don’t write songs. Only from time to time. Once I wrote, but is was because I need money to buy all that. Now, more and more, I make the music that I’m interested."
What do you think of the Spanish group that you’re going to play, with Neuronium? "I had already listened the album. I find it very interesting. We’re played a few time ago and I had enjoy a lot!."
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