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Newgrange and the Bru na Boinne
Newgrange is a passage-grave that overlooks the valley of the Boyne
river in County Meath, Ireland. It is widely considered to be one of the
most significant archaeological sites in Europe. In Irish tradition the
Bru na Boinne (the Gaelic for "Valley of the Boyne") is sacred in and of
itself, a reason why several other passage grave complexes, such as Dowth
and Knowth, were built there. Newgrange, though, is special.
Newgrange is the only passage-grave ever excavated that is aligned
so as to allow the light from the Winter Solstice sunrise to enter and
light the main chamber deep within the mound. This has significant spiritual
meaning, as the Winter Solstice is the time of the longest night, and the
sunrise after this night (as the Druids would have celebrated it) would
mark the beginning of the return of light to the world. Building a passage-grave
so that the light of the beginning of the sun's annual resurrection may
fall on the remains of the ancestors is a powerful symbol, and serves to
show the ancient Celts' considerable theological, astronomical and architectural
sophistication.
The purpose behind the construction of Newgrange remains, to a
degree, a mystery. While the excavation of the barrow earlier in this century
revealed the remains of several individuals within the central chamber,
whether interment was the initial and sole intent behind Newgrange is uncertain.
The alignment with the Winter Solstice and the white quartz facing of the
monument suggest that this monument was constructed with more than burial
in mind, but the inner chamber is too small for more than a handful of
individuals to witness the brilliant Solstice sunrise. Would the highest
of the Celtic elite celebrate the holiday within, while others gathered
outside for a group ceremony? Or could Newgrange have been constructed
for the exclusive use of a very high-ranking noble family, as a private
catacomb and worshipping space? The remains found had few grave goods to
support the second theory, but unsupervised access to the mound for decades
before the excavation could explain the lack of luxurious artifacts. The
state in which the remains were found also leads to some speculation, a
mix of burnt and unburnt bones, in some disarray. Were all of an individual's
remains brought here, or just part? Were remains left here forever, or
were they circulated yearly, removed after the Solstice light had imbued
them with the spirit of resurrection? Unless some startling resource is
found, speculation may provide the only answers to the many questions.
In Irish mythology, Newgrange is the home of Aenghus mac Og, god
of love. He won the site from his father, the Dagda, by means of a trick.
Aenghus had been away when the magical places of Ireland had been parcelled
out to the various gods, and upon returning, begged his father that he
might have Newgrange for only the space of a day and a night. When twenty-four
hours had passed, the Dagda returned to claim his own, only to have Aenghus
refuse to give up Newgrange, claiming that all of time could be divided
into the space of day and night, and that Newgrange was therefore His until
the end of time, by the terms of the agreement. Aenghus is supposed to
have lived quite happily there for some time, with his wife, Caer Ibormeith,
whom he wooed and won in the form of a swan, as she was enchanted
into that shape.
Newgrange is well worth visiting, and is a very popular site with
tourists to Ireland. There is a waiting list for as long as ten years for
the privilege of being inside the mound at sunrise on the morning of December
21, the Winter Solstice. The freedom to walk within this sacred monument
is now in danger, however, as moisture from the breath of the hundreds
of daily visitors has been found collecting on the stones inside the mound,
risking irreparable damage - the monument is as weatherproof as the day
that it was built, but the pervading humidity from tourists' breath was
not a force that was forseen or engineered against.
Click on any of the thumbnails below to see these pictures in greater
detail. . .







. . . or read a personal account about experiencing Winter Solstice Sunrise in Newgrange

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All text and photographs on this page © Jen Llyne Burton, 1998. All rights reserved, reproduction prohibited.